another’s merit fatal to him? Must he, like Moody in the Country Girl, lock up the faculties of his admirers in ignorance of all other fine things, painting, music, the antique, lest they should play truant to him? Methinks such a proceeding implies no good opinion of his own genius or their taste:—it is deficient in dignity and in decorum. Surely if any one is convinced of the reality of an acquisition, he can bear not to have it spoken of every minute. If he knows he has an undoubted superiority in any respect, he will not be uneasy because every one he meets is not in the secret, nor staggered by the report of rival excellence. One of the first mathematicians and classical scholars of the day was mentioning it as a compliment to himself that a cousin of his, a girl from school, had said of him—‘You know M— is a very plain good sort of a young man, but he is not any thing at all out of the common.’ L. H. once said to me—‘I wonder I never heard you speak upon this subject before, which you seem to have studied a good deal.’ I answered, ‘Why, we were not reduced to that, that I know of!’— There are persons, who without being chargeable with the vice here spoken of, yet ‘stand accountant for as great a sin:’ though not dull and monotonous, they are vivacious mannerists in their conversation, and excessive egotists. Though they run over a thousand subjects in mere gaiety of heart, their delight still flows from one idea, namely, themselves. Open the book in what page you will, there is a frontispiece of themselves staring you in the face. They are a sort of _Jacks o’ the Green_, with a sprig of laurel, a little tinsel, and a little smut, but still playing antics and keeping in incessant motion, to attract attention and extort your pittance of approbation. Whether they talk of the town or the country, poetry or politics, it comes to much the same thing. If they talk to you of the town, its diversions, ‘its palaces, its ladies, and its streets,’ they are the delight, the grace, and ornament of it. If they are describing the charms of the country, they give no account of any individual spot or object or source of pleasure but the circumstance of their being there. ‘With them conversing, we forget all place, all seasons, and their change.’ They perhaps pluck a leaf or a flower, patronise it, and hand it you to admire, but select no one feature of beauty or grandeur to dispute the palm of perfection with their own persons. Their rural descriptions are mere landscape back-grounds with their own portraits in an engaging attitude in front. They are not observing or enjoying the scene, but doing the honours as masters of the ceremonies to nature, and arbiters of elegance to all humanity. If they tell a love-tale of enamoured princesses, it is plain they fancy themselves the hero of the piece. If they discuss poetry, their encomiums still turn on something genial and unsophisticated, meaning their own style: if they enter into politics, it is understood