The collected works of William Hazlitt, Vol. 07 (of 12)Hazlitt, William
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The collected works of William Hazlitt, Vol. 07 (of 12)
Hazlitt, William
English essays -- 19th century
There is a pleasure in sitting for one’s picture, which many persons are
not aware of. People are coy on this subject at first, coquet with it,
and pretend not to like it, as is the case with other venial
indulgences, but they soon get over their scruples, and become resigned
to their fate. There is a conscious vanity in it; and vanity is the
_aurum potabile_ in all our pleasures, the true _elixir_ of human life.
The sitter at first affects an air of indifference, throws himself into
a slovenly or awkward position, like a clown when he goes a courting for
the first time, but gradually recovers himself, attempts an attitude,
and calls up his best looks, the moment he receives intimation that
there is something about him that will do for a picture. The beggar in
the street is proud to have his picture painted, and would almost sit
for nothing: the finest lady in the land is as fond of sitting to a
favourite artist as of seating herself before her looking-glass; and the
more so, as the glass in this case is sensible of her charms, and does
all it can to fix or heighten them. Kings lay aside their crowns to sit
for their portraits, and poets their laurels to sit for their busts! I
am sure, my father had as little vanity, and as little love for the art
as most persons: yet when he had sat to me a few times (now some twenty
years ago), he grew evidently uneasy when it was a fine day, that is,
when the sun shone into the room, so that we could not paint; and when
it became cloudy, began to bustle about, and ask me if I was not getting
ready. Poor old room! Does the sun still shine into thee, or does Hope
fling its colours round thy walls, gaudier than the rainbow? No, never,
while thy oak-pannels endure, will they enclose such fine movements of
the brain as passed through mine, when the fresh hues of nature gleamed
from the canvas, and my heart silently breathed the names of Rembrandt
and Correggio! Between my father’s love of sitting and mine of painting,
we hit upon a tolerable likeness at last; but the picture is cracked and
gone; and _Megilp_ (that bane of the English school) has destroyed as
fine an old Nonconformist head as one could hope to see in these
degenerate times.
Public-domain text, read in full here on John Shaqi.
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