The collected works of William Hazlitt, Vol. 07 (of 12)Hazlitt, William
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The collected works of William Hazlitt, Vol. 07 (of 12)
Hazlitt, William
English essays -- 19th century
The fact is, that the having one’s picture painted is like the creation
of another self; and that is an idea, of the repetition or reduplication
of which no man is ever tired, to the thousandth reflection. It has been
said that lovers are never tired of each other’s company, because they
are always talking of themselves. This seems to be the bond of connexion
(a delicate one it is!) between the painter and the sitter—they are
always thinking and talking of the same thing, the picture, in which
their self-love finds an equal counterpart. There is always something to
be done or to be altered, that touches that sensitive chord—this feature
was not exactly hit off, something is wanting to the nose or to the
eye-brows, it may perhaps be as well to leave out this mark or that
blemish, if it were possible to recal an expression that was remarked a
short time before, it would be an indescribable advantage to the
picture—a squint or a pimple on the face handsomely avoided may be a
link of attachment ever after. He is no mean friend who conceals from
ourselves, or only gently indicates, our obvious defects to the world.
The sitter, by his repeated, minute, _fidgetty_ inquiries about himself
may be supposed to take an indirect and laudable method of arriving at
self-knowledge; and the artist, in self-defence, is obliged to cultivate
a scrupulous tenderness towards the feelings of his sitter, lest he
should appear in the character of a spy upon him. I do not conceive
there is a stronger call upon secret gratitude than the having made a
favourable likeness of any one; nor a surer ground of jealousy and
dislike than the having failed in the attempt. A satire or a lampoon in
writing is bad enough; but here we look doubly foolish, for we are
ourselves parties to the plot, and have been at considerable pains to
give evidence against ourselves. I have never had a plaster cast taken
of myself: in truth, I rather shrink from the experiment; for I know I
should be very much mortified if it did not turn out well, and should
never forgive the unfortunate artist who had lent his assistance to
prove that I looked like a blockhead!
Public-domain text, read in full here on John Shaqi.
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