The collected works of William Hazlitt, Vol. 07 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 07 (of 12)
Hazlitt, William
English essays -- 19th century
It has been made a question whether there have not been individuals in
common life of greater talents and powers of mind than the most
celebrated writers—whether, for instance, such or such a Liverpool
merchant, or Manchester manufacturer, was not a more sensible man than
Montaigne, of a longer reach of understanding than the Viscount of St.
Albans. There is no saying, unless some of these illustrious obscure had
communicated their important discoveries to the world. But then they
would have been authors!—On the other hand, there is a set of critics
who fall into the contrary error; and suppose that unless the proof of
capacity is laid before all the world, the capacity itself cannot exist;
looking upon all those who have not commenced authors, as literally
‘stocks and stones, and worse than senseless things.’ I remember trying
to convince a person of this class, that a young lady, whom he knew
something of, the niece of a celebrated authoress, had just the same
sort of fine _tact_ and ironical turn in conversation, that her relative
had shown in her writings when young. The only answer I could get was an
incredulous smile, and the observation that when she wrote any thing as
good as ——, or ——, he might think her as clever. I said all I meant was,
that she had the same family talents, and asked whether he thought that
if Miss —— had not been very clever, as a mere girl, before she wrote
her novels, she would ever have written them? It was all in vain. He
still stuck to his text, and was convinced that the niece was a little
fool compared to her aunt at the same age; and if he had known the aunt
formerly, he would have had just the same opinion of _her_. My friend
was one of those who have a settled persuasion that it is the book that
makes the author, and not the author the book. That’s a strange opinion
for a great philosopher to hold. But he wilfully shuts his eyes to the
germs and indistinct workings of genius, and treats them with
supercilious indifference, till they stare him in the face through the
press; and then takes cognizance only of the overt acts and published
evidence. This is neither a proof of wisdom, nor the way to be wise. It
is partly pedantry and prejudice, and partly feebleness of judgment and
want of magnanimity. He dare as little commit himself on the character
of books, as of individuals, till they are stamped by the public. If you
show him any work for his approbation, he asks, ‘Whose is the
superscription?’—He judges of genius by its shadow, reputation—of the
metal by the coin. He is just the reverse of another person whom I
know—for, as G—— never allows a particle of merit to any one till it is
acknowledged by the whole world, C—— withholds his tribute of applause
from every person, in whom any mortal but himself can descry the least
glimpse of understanding. He would be thought to look farther into a
millstone than any body else. He would have others see with his eyes,
Public-domain text, read in full here on John Shaqi.
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