The collected works of William Hazlitt, Vol. 07 (of 12) — John Shaqi
The collected works of William Hazlitt, Vol. 07 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 07 (of 12)
Hazlitt, William
English essays -- 19th century
over—but let a difference of opinion be once hitched in, and it was all
over with him. His only object from that time was to shut out common
sense, and to be proof against conviction. He would argue the most
ridiculous point (such as that there were two original languages) for
hours together, nay, through the horologe. You would not suppose it was
the same person. He was like an obstinate run-away horse, that takes the
bit in his mouth, and becomes mischievous and unmanageable. He had made
up his mind to one thing, not to admit a single particle of what any one
else said for or against him. It was all the difference between a man
drunk or sober, sane or mad. It is the same when he once gets the pen in
his hand. He has been trying to prove a contradiction in terms for the
ten last years of his life, _viz._ that the Bourbons have the same right
to the throne of France that the Brunswick family have to the throne of
England. Many people think there is a want of honesty or a want of
understanding in this. There is neither. But he will persist in an
argument to the last pinch; he will yield, in absurdity, to no man!
This litigious humour is bad enough: but there is one character still
worse, that of a person who goes into company, not to contradict, but to
_talk at_ you. This is the greatest nuisance in civilised society. Such
a person does not come armed to defend himself at all points, but to
unsettle, if he can, and throw a slur on all your favourite opinions. If
he has a notion that any one in the room is fond of poetry, he
immediately volunteers a contemptuous tirade against the idle jingle of
verse. If he suspects you have a delight in pictures, he endeavours, not
by fair argument, but by a side-wind, to put you out of conceit with so
frivolous an art. If you have a taste for music, he does not think much
good is to be done by this tickling of the ears. If you speak in praise
of a comedy, he does not see the use of wit: if you say you have been to
a tragedy, he shakes his head at this mockery of human misery, and
thinks it ought to be prohibited. He tries to find out beforehand
whatever it is that you take a particular pride or pleasure in, that he
may annoy your self-love in the tenderest point (as if he were probing a
wound) and make you dissatisfied with yourself and your pursuits for
several days afterwards. A person might as well make a practice of
throwing out scandalous aspersions against your dearest friends or
nearest relations, by way of ingratiating himself into your favour. Such
ill-timed impertinence is ‘villainous, and shews a pitiful ambition in
the fool that uses it.’
Public-domain text, read in full here on John Shaqi.
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