The collected works of William Hazlitt, Vol. 08 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 08 (of 12)
Hazlitt, William
English essays -- 19th century
This idea of the character, which never leaves the mind in reading the
play, was delightfully represented on the stage. Miss O’Neill did not
once overstep the limits of propriety, and was interesting in every
part. Her conversation with the page was delicately familiar and
playful. Her death was judiciously varied, and did not affect the
imagination less, because it gave no shock to the senses. Her greatest
effort, however, was in the scene with Polydore, where she asks him,
‘Where did you rest last night?’ and where she falls senseless on the
floor at his answer. The breathless expectation, the solemn injunction,
the terror which the discovery strikes to her heart as if she had been
struck with lightning, had an irresistible effect. Nothing could be
pourtrayed with greater truth and feeling. We liked Charles Kemble’s
Castalio not much, and Mr. Conway’s Polydore not at all. It is
impossible that this gentleman should become an actor, unless he could
take ‘a cubit from his stature.’ Mr. Young’s Chamont was quite as good
as the character deserves.
Mr. Kean’s appearance at Drury-Lane on Tuesday, in the Duke Aranza, in
the Honey Moon, excited considerable expectations in the public. Our own
were not fulfilled. We think this the least brilliant of all his
characters. It was Duke and no Duke. It had severity without dignity;
and was deficient in ease, grace, and gaiety. He played the feigned
character as if it were reality. Now we believe that a spirit of
raillery should be thrown over the part, so as to carry off the gravity
of the imposture. There is in Mr. Kean an infinite variety of talent,
with a certain monotony of genius. He has not the same ease in doing
common things that he has energy on great occasions. We seldom entirely
lose sight of his Richard, and to a certain degree, in all his acting,
‘_he still plays the dog_.’ His dancing was encored. George II. encored
Garrick in the _Minuet de la Cour_: Mr. Kean’s was not like court
dancing. It had more alacrity than ease.
THE MERCHANT OF BRUGES
_The Examiner._
_December 17, 1815._
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account