The collected works of William Hazlitt, Vol. 11 (of 12) — John Shaqi
The collected works of William Hazlitt, Vol. 11 (of 12)Hazlitt, William
Philosophy
The collected works of William Hazlitt, Vol. 11 (of 12)
Hazlitt, William
English essays -- 19th century
these particular circumstances in our minds, then we either demonstrate
the proposition of the general and abstract idea of a triangle, or of no
idea at all; for after the particulars are omitted, or not attended to
by the mind, the only idea remaining must be a general one. Farther,
that on which I am willing to rest the whole controversy, is the
following remark, _viz._, that without the general idea of a line or
triangle, there could be no particular one; that is, no idea of any one
line or triangle, as of the same form, or as any way related to any
other, so that there could be no common measure or line to connect any
of our thoughts or reasoning together into a general conclusion. For to
take the former instance as the most simple. When we speak of any
particular extension, it is evident that we understand something which
is not particular. Besides what is peculiar to it, it must have
something which is not peculiar to it, but general, to merit the common
appellation. Berkeley says, ‘An idea which in itself is particular,
becomes general, by being made to represent or stand for all other
particular ideas _of the same sort_.’ I do request that the import of
these last words may be attended to. Do they suggest any idea or none;
if they mean any thing, it must be something more than the particular
ideas which are said to be of the same sort, _i.e._ some general notion
of them. But this will involve all the absurdities of abstraction. If
there is any thing in the mind besides these particular ideas
themselves—any thing that compares or contrasts them, that refers to
this or that belief, this comparison or classifying can be nothing but a
perception of a general nature in which these things agree, or the
general resemblance which the mind perceives between the several
impressions. If there is no such comparison or perception of
resemblance, or idea of abstract qualities, then there can be no idea
answering to the words ‘of the same sort;’ but these particular ideas
will be left standing by themselves, absolutely unconnected. As far as
our ideas are merely particular, _i.e._ are negations of other ideas, so
far they must be perfectly distinct from each other: there can be
nothing between them to blend or associate them together. Each separate
idea would be surrounded with a _chevaux de frise_ of its own, in a
state of irreconcilable antipathy to every other idea, and the fair form
of nature would present nothing but a number of discordant atoms. A
particular line would no more represent another line, than it would
represent a point: one colour could no more resemble another colour, or
suggest its idea, than it could that of a sound, or a smell; there could
be no clue to make us class different shades of the same colour under
one general name, any more than the most opposite: one triangle would be
as distinct from another, as from a square or a cube, and so through the
whole system of art and nature. There must be a mutual leaning, a
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