The collected works of William Hazlitt, Vol. 12 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 12 (of 12)
Hazlitt, William
English essays -- 19th century
Would it not be hard upon a little girl, who is busy in dressing up a
favourite doll, to pull it in pieces before her face in order to shew
her the bits of wood, the wool, and rags it is composed of? So it would
be hard upon that great baby, the world, to take any of its idols to
pieces, and shew that they are nothing but painted wood. Neither of them
would thank you, but would consider the offer as an insult. The little
girl knows as well as you do that her doll is a cheat; but she shut her
eyes to it, for she finds her account in keeping up the deception. Her
doll is her pretty little self. In its glazed eyes, its cherry cheeks,
its flaxen locks, its finery and its baby-house, she has a fairy vision
of her own future charms, her future triumphs, a thousand hearts led
captive, and an establishment for life. Harmless illusion! that can
create something out of nothing, can make that which is good for nothing
in itself so fine in appearance, and clothe a shapeless piece of
deal-board with the attributes of a divinity! But the great world has
been doing little else but playing at _make-believe_ all its lifetime.
For several thousand years its chief rage was to paint larger pieces of
wood and smear them with gore and call them Gods and offer victims to
them—slaughtered hecatombs, the fat of goats and oxen, or human
sacrifices—shewing in this its love of shew, of cruelty, and imposture;
and woe to him who should ‘peep through the blanket of the dark to cry,
_Hold, hold_.’—_Great is Diana of the Ephesians_, was the answer in all
ages. It was in vain to represent to them, ‘Your Gods have eyes but they
see not, ears but they hear not, neither do they understand’—the more
stupid, brutish, helpless, and contemptible they were, the more furious,
bigotted, and implacable were their votaries in their behalf.[43] The
more absurd the fiction, the louder was the noise made to hide it—the
more mischievous its tendency, the more did it excite all the phrenzy of
the passions. Superstition nursed, with peculiar zeal, her ricketty,
deformed, and preposterous offspring. She passed by the nobler races of
animals even, to pay divine honours to the odious and unclean—she took
toads and serpents, cats, rats, dogs, crocodiles, goats and monkeys, and
hugged them to her bosom, and dandled them into deities, and set up
altars to them, and drenched the earth with tears and blood in their
defence; and those who did not believe in them were cursed, and were
forbidden the use of bread, of fire, and water, and to worship them was
piety, and their images were held sacred, and their race became Gods in
perpetuity and by divine right. To touch them, was sacrilege: to kill
them, death, even in your own defence. If they stung you, you must die:
if they infested the land with their numbers and their pollutions, there
was no remedy. The nuisance was intolerable, impassive, immortal. Fear,
religious horror, disgust, hatred, heightened the flame of bigotry and
intolerance.
Public-domain text, read in full here on John Shaqi.
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