The collected works of William Hazlitt, Vol. 12 (of 12) — John Shaqi
The collected works of William Hazlitt, Vol. 12 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 12 (of 12)
Hazlitt, William
English essays -- 19th century
Compared with him I shall, I fear, make but a common-place piece of
business of it; but I should be loth the idea was entirely lost, and
besides I may avail myself of some hints of his in the progress of it. I
am sometimes, I suspect, a better reporter of the ideas of other people
than expounder of my own. I pursue the one too far into paradox or
mysticism; the others I am not bound to follow farther than I like, or
than seems fair and reasonable.
On the question being started, A—— said, ‘I suppose the two first
persons you would choose to see would be the two greatest names in
English literature, Sir Isaac Newton and Mr. Locke?’ In this A——, as
usual, reckoned without his host. Every one burst out a laughing at the
expression of B——’s face, in which impatience was restrained by
courtesy. ‘Yes, the greatest names,’ he stammered out hastily, ‘but they
were not persons—not persons.’—‘Not persons?’ said A——, looking wise and
foolish at the same time, afraid his triumph might be premature. ‘That
is,’ rejoined B——, ‘not characters, you know. By Mr. Locke and Sir Isaac
Newton, you mean the Essay on the Human Understanding, and the
_Principia_, which we have to this day. Beyond their contents there is
nothing personally interesting in the men. But what we want to see any
one _bodily_ for, is when there is something peculiar, striking in the
individuals, more than we can learn from their writings, and yet are
curious to know. I dare say Locke and Newton were very like Kneller’s
portraits of them. But who could paint Shakspeare?’—‘Ay,’ retorted A——,
‘there it is; then I suppose you would prefer seeing him and Milton
instead?’—‘No,’ said B——, ‘neither. I have seen so much of Shakspeare on
the stage and on book-stalls, in frontispieces and on mantle-pieces,
that I am quite tired of the everlasting repetition: and as to Milton’s
face, the impressions that have come down to us of it I do not like; it
is too starched and puritanical; and I should be afraid of losing some
of the manna of his poetry in the leaven of his countenance and the
precisian’s band and gown.’—‘I shall guess no more,’ said A——. ‘Who is
it, then, you would like to see “in his habit as he lived,” if you had
your choice of the whole range of English literature?’ B—— then named
Sir Thomas Brown and Fulke Greville, the friend of Sir Philip Sidney, as
the two worthies whom he should feel the greatest pleasure to encounter
on the floor of his apartment in their nightgown and slippers, and to
exchange friendly greeting with them. At this A—— laughed outright, and
conceived B—— was jesting with him; but as no one followed his example,
he thought there might be something in it, and waited for an explanation
in a state of whimsical suspense. B—— then (as well as I can remember a
conversation that passed twenty years ago—how time slips!) went on as
follows. ‘The reason why I pitch upon these two authors is, that their
writings are riddles, and they themselves the most mysterious of
personages.
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