“You have blundered, Chesnel,” said the Marquis, flattered by the steward’s words, but vexed that his sister had been hurt. “A d’Esgrignon may marry a Montmorency; their descent is not so pure as ours. The d’Esgrignons bear or, two bends, gules,” he continued, “and nothing during nine hundred years has changed their scutcheon; as it was at first, so it is to-day. Hence our device, Cil est nostre, taken at a tournament in the reign of Philip Augustus, with the supporters, a knight in armor or on the right, and a lion gules on the left.” “I do not remember that any woman I have ever met has struck my imagination as Mlle. d’Esgrignon did,” said Emile Blondet, to whom contemporary literature is indebted for this history among other things. “Truth to tell, I was a boy, a mere child at the time, and perhaps my memory-pictures of her owe something of their vivid color to a boy’s natural turn for the marvelous. “If I was playing with other children on the Parade, and she came to walk there with her nephew Victurnien, the sight of her in the distance thrilled me with very much the effect of galvanism on a dead body. Child as I was, I felt as though new life had been given me. “Mlle. Armande had hair of tawny gold; there was a delicate fine down on her cheek, with a silver gleam upon it which I loved to catch, putting myself so that I could see the outlines of her face lit up by the daylight, and feel the fascination of those dreamy emerald eyes, which sent a flash of fire through me whenever they fell upon my face. I used to pretend to roll on the grass before her in our games, only to try to reach her little feet, and admire them on a closer view. The soft whiteness of her skin, her delicate features, the clearly cut lines of her forehead, the grace of her slender figure, took me with a sense of surprise, while as yet I did not know that her shape was graceful, nor her brows beautiful, nor the outline of her face a perfect oval. I admired as children pray at that age, without too clearly understanding why they pray. When my piercing gaze attracted her notice, when she asked me (in that musical voice of hers, with more volume in it, as it seemed to me, than all other voices), ‘What are you doing little one? Why do you look at me?’--I used to come nearer and wriggle and bite my finger-nails, and redden and say, ‘I do not know.’ And if she chanced to stroke my hair with her white hand, and ask me how old I was, I would run away and call from a distance, ‘Eleven!’