The Collector's Handbook to Keramics of the Renaissance and Modern Periods — John Shaqi
The Collector's Handbook to Keramics of the Renaissance and Modern PeriodsChaffers, William
History
The Collector's Handbook to Keramics of the Renaissance and Modern Periods
Chaffers, William
Pottery
DRESDEN. A manufactory was established at Meissen, on the Elbe, about 12
miles from Dresden, by Augustus II., King of Poland and Elector of
Saxony, for the manufacture of hard paste, or true porcelain. The
experiments of Tschirnhaus and Böttcher commenced about 1706; to the
latter is attributed the invention of hard paste. His first attempt
produced a red ware, like jasper, which was cut and polished by the
lapidary and gilt by the goldsmith. It was made from a kind of brown
clay found at Meissen. This red ware, made by Böttcher, was a fine
stoneware, having opacity, grain, and toughness.
[Illustration: FIG. 96.--BÖTTCHER COFFEE-POT.]
Another kind of pottery was made at the beginning of the 18th century,
in imitation of the Japanese; it was called the red pottery of Dresden.
TEINITZ (Bohemia). A manufactory was carried on in this small town in
the 18th century by a potter named Welby.
[Illustration: FIG 97.--PLATE.]
Fig. 97. A plate painted in bistre _camaïeu_ with the Discovery of
Calisto by Diana. It has an elegant border in grey, with richly gilt
designs, resembling the gilding of Vienna. Date about 1800.
FRANKENTHAL. Paul Hannong, driven from Strassburg in 1753, in
consequence of the Vincennes monopoly, founded a manufactory here in the
following year for hard paste porcelain; he also made great quantities
of fayence, usually decorated with flowers, as at Strassburg. It was
called "Poterie du Rhin."
ARNSTADT (Gotha). A factory was established here about the middle of the
18th century. A fayence jug, painted in blue _camaïeu_, with St. George
and the Dragon, coloured flowers on the sides, and a purple and green
check border, is in the British Museum.
KIEL was noted for its fayence about 1770; the factory was under the
direction of J. Buchwald, who had been master potter at Marieberg, 1761
to 1765; a few years after, probably in 1767 or 1768, he became director
of the Kiel manufactory. The paintings of landscapes and flowers in
colours are well finished.
[Illustration: FIG. 98.--BISHOP'S MITRE BOWL.]
HOLLAND AND LUXEMBURG
HOLLAND
Delft, a town between the Hague and Rotterdam, was celebrated for its
earthenware at a very early period. The exact date of its commencement
is not known, but there is a record of a certain Herman Pietersz, a
fayence maker, being married in 1584, consequently pottery was being
made in the town towards the end of the 16th century. At this period the
decorated Dutch pottery showed Italian influence in its design, and it
is recorded that a painter on pottery named Vroom studied his art in
Italy.
After the middle of the 17th century the industry increased rapidly, and
reached its greatest prosperity about 1680, when there were about thirty
different factories, and the ware was decorated by highly skilled
artists. No one was allowed to establish a factory unless he had
obtained a licence from the Guild of S{t}. Luc.
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