The Collector's Handbook to Keramics of the Renaissance and Modern PeriodsChaffers, William
History
The Collector's Handbook to Keramics of the Renaissance and Modern Periods
Chaffers, William
Pottery
In 1765, the Senate granted to Giminiano Cozzi, in the Contrada di San
Giobbe, Venice, protection and pecuniary assistance in carrying out a
manufacture of porcelain. Cozzi's first efforts were directed towards
the imitation of the Oriental ware; and a very large trade was carried
on by him for nearly fifty years. He produced statuettes in biscuit, in
glazed white porcelain, and coloured groups, vases, &c. The gilding on
Cozzi's porcelain is especially fine, the pure gold of the sequin having
been used in its decoration.
The manufactory ceased to exist in 1812.
NOVE. The manufacture of porcelain at Nove may be traced back as far as
the 12th January 1752, when Pasqual Antonibon brought from Dresden a
certain Sigismund Fischer to construct a furnace for making porcelain in
the Saxon style.
From this time forward he continued his experiments, and must have made
great progress in the art, for in February 1761 he had three furnaces,
of which one was for Saxon (_ad uso di Sassonia_), the other two for
French porcelain (_ad uso di Francia_).
In 1762, Antonibon submitted specimens of his porcelain to the Board of
Trade, and petitioned that the patent rights which had been conceded to
Hewelcke should be extended to him. At that time, the report states,
Antonibon had at Nove a manufactory, rich in buildings, machinery, and
tools. The capital embarked in it was estimated at 80,000 ducats, and so
great was the sale of his products that he gave employment to 150 men
and their families, in addition to 100 people employed in his retail
business, carried on at his three shops in Venice. This extensive
manufactory was, however, principally for maiolica.
[Illustration: FIG. 120.--JARDINIÈRE. _By_ ANTONIBON.]
On the 7th April 1763, a decree was made in his favour; and he appears
to have set earnestly to work in his manufacture of porcelain. His
competitor, Hewelcke, shortly after deserted Venice; but he had a more
formidable rival in Giminiano Cozzi, who obtained a decree for making
porcelain in 1765, in which Pasqual Antonibon's manufacture is noticed,
the Senate declaring it to be the duty of the magistrate to make such
arrangements as would lead to an amicable understanding between the
rival manufacturers and their workmen.
[Illustration: FIG. 121.--VASE.]
Pasqual Antonibon and his son Giovanni Battista continued the
fabrication of porcelain until the 6th February 1781, when they entered
into partnership with Signor Parolini. The same manufacture, _con sommo
onore dell'arte_, was continued by them until the 6th February 1802,
when it was leased to Giovanni Baroni, who produced some very charming
pieces both in form and decoration; but in a few years, from being badly
conducted, it began to fall off, and by degrees it went to decay and was
abandoned. The "Fabbrica Baroni," however, lingered on for more than
twenty years.
[Illustration: FIG. 122.--VASE.]
[Illustration: FIG. 123.--MILK-POT.]
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