The collector's whatnot : $b a compendium, manual, and syllabus of information and advice on all subjects appertaining to the collection of antiques, both ancient and not so ancientTarkington, Booth
General
The collector's whatnot : $b a compendium, manual, and syllabus of information and advice on all subjects appertaining to the collection of antiques, both ancient and not so ancient
Tarkington, Booth
Antiques -- Humor
It was a brisk autumn day, and the odor of stinkbush was particularly
apparent as I made my way through the grove of trees which surrounded
the Elon D. Whipplefish house. I shall never smell stinkbush again
without thinking of that red letter day; though I must confess that at
the time it depressed me slightly.
Mr. Whipplefish was seated in his beautiful old kitchen with his feet
resting comfortably in a beautiful old brick oven; and as I knocked
at his back door, he cried out in his kindly New England manner that
he didn’t want any, and to go away. Pretending to misunderstand his
words, I opened the door and walked in. Then, lest there be any
unpleasantness, I dropped my hat as though by accident, and in stooping
to pick it up permitted the pint flask of gin to slip from my breast
pocket and fall into my hat. This is a gesture which has saved the day
for me on many and many an occasion where all seemed to be lost save
honor. A few days of practice will enable any one to drop a pint flask
from his breast pocket and catch it unharmed in his hat with the utmost
nonchalance.
Having done this, I affected great embarrassment and looked at the
flask ruefully, as though it had betrayed me in an embarrassing manner.
Mr. Whipplefish’s manner at once became more affable, and he asked me
with gruff Cape Cod hospitality what I wanted.
One thing led to another, and by the time we had consumed the pint
of gin, he was permitting me to examine the furnishings of his home
without protest.
The briefest examination of the topless and legless chest sufficed
to convince me that I had encountered a genuine treasure. All of
the worm-holes of the tertiary class bore the unmistakable stigmata
of the Dutch worms of the first quarter of the seventeenth century.
Those familiar with Dr. Christian Eisenbach’s† monumental work on the
furniture worm will recall that a peculiar recurrence of frosts during
several successive winters in Holland so affected the nervous systems
of the Dutch furniture worms that they bored to the left in successive
_échelons_, or steps, and cut into the borings of the worms beyond them.
————
† _Bores and Borings._ Dr. Christian Eisenbach. Leipzig, 1847.
The best test of the Dutch worm of the first quarter of the
seventeenth century is to place the forefinger over any worm-hole in
a given space, place the lips over the worm-hole next to the left of
the obstructed orifice, and blow firmly into it. If the hole is a true
Dutch hole of the early seventeenth century, a small cloud of dust will
emerge from the hole next to the one in which the blower is blowing and
will usually enter his eye.
If it is not a seventeenth-century Dutch hole, the blower can blow all
day without obtaining any noteworthy results except a flushed face.
Public-domain text, read in full here on John Shaqi.
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