The collector's whatnot : $b a compendium, manual, and syllabus of information and advice on all subjects appertaining to the collection of antiques, both ancient and not so ancientTarkington, Booth
General
The collector's whatnot : $b a compendium, manual, and syllabus of information and advice on all subjects appertaining to the collection of antiques, both ancient and not so ancient
Tarkington, Booth
Antiques -- Humor
How _few_ people understand what may be done with a simple pair of
brass candlesticks! Does not one weary of seeing them eternally upon a
mantel? Upon a top bookshelf? Upon the gate-leg table? Upon a set-in
window-sill? There we find them invariably, driving us mad with their
monotony, when only a slight exertion of the imagination would give
them the touch that is different, the charm that is permanent. I have
found that it is only necessary to place one such candlestick in the
front yard and the other in the back yard to give them a setting that
is in keeping. Thus they can be seen from the windows, their sheen
rich against the out-of-doors, except at night; and then, if it seems
desirable, they may be lighted. It is not necessary to bring them in
when it rains. A light water-proof canopy, easily removable, may be
placed over them and will be found to give complete protection, and
even to add a note of color, if glazed with silver-gilt, the right
shade of apricot and just touched with cerise.
Now a word of confession: it is not always the easiest thing in the
world to go into a house and give it the _right_ decorative note. The
owners may have their own ideas and one must move tactfully. Let me
give an instance, though the gentleman in question shall be nameless
and designated merely as General X. He was a delightful man, elderly,
a retired army officer, a manly and gallant widower, notwithstanding
the fact that he possessed strong convictions that his own taste was
excellent.
He had gathered about him from all parts of the world a valuable
assembly of antiques, bibelots, paintings, stuffed animals, sculptures,
seashells, wood-carvings, miniatures, and _petiteries_, but had so
misplaced them in his halls and living-room and even in his master’s
rooms that one saw nothing but a heterogeneity of clutter.
I began with his master’s rooms. I went through one after another of
these, ordering everything—absolutely everything—removed to the garrets
and cellars. Then, when all was clear, I had my assistants place one
old Tutu Japanese print in each of his master’s rooms—nothing more—and
awaited the General’s return, for he was out at the time.
He was not at first able to comprehend that the new arrangement was
intended to be permanent.
“Well,” he remarked, smiling pleasantly, “I see you have made a
beginning, Madame Thomas.”
“No,” I smiled. “I have made a conclusion. Your master’s rooms are
finished. They now have that restfulness, that air _intime_ which your
master’s rooms lacked until I retouched them. This is how they are to
remain, General.”
Public-domain text, read in full here on John Shaqi.
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