We must treat of them more at length, and first of the classics. Until very lately, there were no proper helps to the study of Egyptian, Greek, or Roman mythology. It was studied by the letter, and made to have more or less meaning, according to the teacher who interpreted it. Lemprière had no room for moral deductions or symbolic indications; his columns read like a criminal report in the "New-York Herald." The Egyptian mythology was, doubtless, an older off-shoot from the same stem. Many of its ceremonies, its symbols, and its idols, must be confused by the uninstructed mind with realities of the very lowest, perhaps we should not be far wrong if we said, of the most revolting stamp. The Greek classics, so far as I know them, present a singular mixture of influences; but, where woman is concerned, the lowest certainly preponderate. We should be sorry to lose Homer and Æschylus, Herodotus, Thucydides, and Xenophon, from our library; but of how many poets and dramatists, from the few fragments of Pindar and Anacreon down through the tragic poets,--down, very far down, indeed, to Aristophanes,--can we say as much? There need be no doubt about Aristophanes. The world would be the purer, and all women grateful, if every copy of his works, and every coarse inference from them, could be swept out of existence to-morrow. When we find a _noble picture_ in Xenophon, it had a noble original, like Panthea in Persia, as old perhaps as that fine saying in the Heetopades which all the younger Veds disown. When we find an _ignoble thought_, it seems to have been born out of his Greek experience. Transported by a fair ideal, Plato asks, in his "Republic," "Should not this sex, which we condemn to obscure duties, be destined to functions the most noble and elevated?" But it was only to take back the words in his "Timæus," and in the midst of a society that refused to let the wife sit at table with the husband, and whose young wives were not "tame" enough to speak to their husbands, if we may believe the words of Xenophon, until after months of marriage. When Iscomachus, the model of an Athenian husband, and the friend of Socrates, asked his wife if she knew whether he had married her for love, "I know nothing," she replied, "but to be faithful to you, and to learn what you teach." He responded by an exhortation on "_staying at home_," which has come down to posterity, and left her, with a kiss, for the saloon of Aspasia! Pindar and Anacreon, even when they find no better representatives than Dr. Wolcott and Tom Moore, still continue to crown the wine-cup, and impart a certain grace to unmanly orgies. A late French writer goes so far as to call Euripides "a woman-hater, who could not pardon Zeus for having made woman an indispensable agent in the preservation of the species." In his portraits of Iphigenia and Macaria, Euripides follows his conception of _heroic_, not human nature. They are demi-goddesses; yet how are their white robes stained!