In domestic architecture Palladian windows were employed chiefly to
light the stairway landing, as at Whitby Hall; to light the upper hall,
as at Mount Pleasant; and rarely to light the principal rooms each side
of the front entrance, as at The Woodlands. They not only charm the eye
as interior features, but when viewed outdoors relieve the severity of
many ranging square-headed windows and provide a center of interest in
the fenestration, lending grace and distinction to the entire facade.
No Palladian windows in Philadelphia so thoroughly please the eye or so
convincingly indicate the delightful accord that may exist between gray
ledge-stone masonry and white woodwork as those set within recessed
arches at The Woodlands. The proportion and simple, clean-cut detail
throughout are exquisite. The engaged colonnettes of the mullions
contrast pleasingly with the pilasters of the frame, each of the two
supporting an entablature notable for its fine-scale dentil course, and
these two in turn supporting a keyed, molded arch. The central window
has twelve-paned upper and lower sliding sashes with an attractively
spaced fanlight above. The narrow ten-paned side windows are stationary.
Unusual as is the use of these Palladian windows, their charm is
undeniable, and they are among the chief distinctions of the house.
[Illustration: PLATE LXX.--Pedimental Doorway, First Floor, Mount
Pleasant; Pedimental Doorway, Second Floor, Mount Pleasant.]
[Illustration: PLATE LXXI.--Doorways, Second Floor Hall, Mount Pleasant;
Doorway Detail, Whitby Hall.]
CHAPTER IX
HALLS AND STAIRCASES
The hall is of particular moment in the design of a house. There guests
are welcomed to the fireside, and there their first impressions of the
home are formed. The architectural treatment of the hall sets the
keynote of the entire home interior, so to speak. Its doorways and open
arches frame vistas of the principal adjoining rooms, and its staircase,
usually winding, affords a more or less complete survey of the whole
house from various altitudes and angles. It is the place where the
master puts his best foot foremost, as the expression goes, and happily
the recognized utilitarian features of the typical Colonial hall permit
a notable degree of elaboration at once consistent and beautiful.
Throughout the feudal period of the Middle Ages the hall was the main
and often the only living, reception and banquet room of castles,
palaces and manor houses. It was the common center of home activities.
There the lord and family retainers, servants and visitors were
accommodated, and all the common life of the household was carried on.
In early times there were, besides the hall, only a few sleeping rooms,
even in the greatest establishments. Later, more retired rooms were
added, and gradually the hall became more and more an entranceway or
passageway in the house, communicating with its different parts.
Public-domain text, read in full here on John Shaqi.
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