When houses began to be built more than a single story in height, the
staircase became an important feature of the hall, and balconies were
also introduced overlooking this great room, which was often the full
height of the building. In fact, balconies were for a time more
conspicuous than staircases, which were frequently located in any
convenient secluded place. However, as builders came to appreciate more
fully the attractiveness of this utilitarian structure, when embellished
with suitable ornament, the staircase was accorded a more prominent
position. Eventually it became the most important architectural feature
of the hall, for the most part supplanting the balcony, which was in a
measure replaced by the broad landings of broken, winding and wing
flights.
Throughout the Georgian period of English architecture, the hall of the
better houses retained something of the size and aspect of the great
halls of feudal days, while at the same time accommodating the staircase
and serving as a passageway leading to the principal rooms on the
various floors. In the more pretentious houses of the period they were
the scene of dancing and banqueting on special occasions, and for that
reason were of spacious size, often running entirely through the
building from front to back with the staircase located in a smaller side
hall adjoining. Where space or expense were considerations, or where
spacious parlors and drawing-rooms rendered the use of the hall for
social purposes unnecessary, the staircase ascended in various ways at
the rear of the main hall, usually beyond a flat or elliptical arch,
where it added very materially to the effectiveness of the apartment
without detracting at all from the use of the front portion as a
reception room.
Such halls as the latter are as typical of the better Provincial
mansions of Philadelphia, especially its countryseats, as of the
plantation houses of Virginia and the early settled communities farther
south. In the city residences of Philadelphia, built in blocks as
elsewhere, the halls were of necessity narrower, mere passageways
notable chiefly for their well-designed staircases, which consisted for
the most part of a long straight run along one side with a single turn
near the top to the second-floor passageway directly above that to the
rear of the house on the floor below. In a few of the earlier country
houses there are, however, halls reminiscent of medieval times, for the
influences of the mother country were very strong in Philadelphia, and
its Colonial architecture displays marked Georgian tendencies, some of
it the very earliest Georgian characteristics still somewhat influenced
by the life and manners of the Elizabethan and Jacobean periods.
Public-domain text, read in full here on John Shaqi.
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