The domestic life of women on those old plantations must have been rather monotonous. The travellers who visited them, describe them as sharing little in the amusements of their husbands, and brothers, and sons. Chastellux says that, like the English, they are very fond of their _infants_, but care little for their _children_; but the annals and biographies do not bear out his statement. George Wythe learned his Greek at home, from a Testament, while his mother held an English copy in her hand and prompted him as he went on. John Mason, too, bore through life the impress of his mother's influence. He was only seven years old when she died, yet through life, "mother's room" was perfectly distinct to him, the old chest of drawers distinguished as _gown_ drawer, _shirt_ drawer, and _jacket_ drawer, the closet known as mistress' closet, containing his mother's dresses, and another cupboard, known as _the_ closet, in which hung a small green horsewhip with a silver head, carried by Mrs. Mason when she rode, and on other occasions used for purposes of correction, so that the children nicknamed it "the green doctor." An old letter recalls another "mother's room" in those eighteenth-century days: "On one side sits the chambermaid with her knitting; on the other a little colored pet, learning to sew. An old decent woman is there, with her table and shears, cutting out the negroes' winter clothes, while the old lady directs them all, incessantly knitting." Home, rather than Church, was the sacred spot to the Colonial Cavalier, in spite of his theoretical reverence for Mother Church. It was at home that most of the baptisms and funerals occurred, and Hugh Jones complains that "in houses also they most commonly marry, without regard to the time of the day, or season of the year." The central idea of the Puritan religion was fear of God; the centre of the Cavalier's religion was love of man. From this root sprung a radiant cheerfulness, an open-handed liberality, and an unbounded hospitality. If it be true that the best ornaments of a house are its guests, never were houses more brilliantly decorated than those Southern mansions. The names of Brandon, and Berkeley, and Westover, and Mont Clare, and Doughoregan call up the procession of guests who have walked, and danced, and dined, and slept under their roofs. We see stately men, in lace and ruffles, pacing the minuet with powdered dames, in "teacup time of hood and hoop, and when the patch was worn." We see lovers and maidens, brides and bridegrooms spending the honeymoon under the sheltering trees, and patriot Continentals arming in their halls for the struggle with the enemies of their country. [Illustration]