If the dress of the period before the Revolution was not hygienic, it was handsome, and eminently picturesque, as the old portraits of the last century show. The universally becoming ruffles of lace were in vogue, and women still young wore dainty caps, whose delicate lace, falling over the hair, lent softness and youth to the features. Old ladies were not unknown as now, but, at an age when the nineteenth century woman of fashion is still frisking about in the costume of a girl of twenty, the Colonial dame adopted the dress and manners which she conceived suited to her age and dignity. Here, for instance, is the evidence of a portrait, marked on the stretcher, "Amy Newton, aged 45, 1770, John Durand, _pinxit_." The lady wears an ermine-trimmed cloak draped about her shoulders, over a bodice, lace-trimmed and cut square in the neck. The lace-bordered cap falls as usual over the matron's hair. There is, to me, something rather fine and dignified in the assumption of a matronly dress as a matter of pride and choice. In one respect the Colonial dames, old and young, were gayly attired. Their feet were clad in rainbow hues of brilliant reds and greens and their dresses were generally cut to show to advantage the high-heeled slipper and clocked stocking of bright color. Washington's order-book forms an excellent guide to the prevailing modes of the day. The orders call for rich coats and waistcoats and cocked hats for himself; and for Mrs. Washington, a salmon tabby velvet, fine flowered lawn aprons, white callimancos hoes, perfumed powder, puckered petticoats, and black velvet riding masks. Master Custis is fitted out with two hair bags and a whole piece of ribbon, while the servants are provided with fifty ells of _osnabergs_ (a coarse cloth made of flax and tow manufactured at Osnaberg, in Germany, and much in vogue for servants' wear). The goods of the time, for high and low, were made to outlast more than one generation. Charles Carroll, of Carrollton, was betrothed in his youth to a beautiful young lady. The wedding-dress was ordered from London, but before its arrival the bride elect had died, and the dress was laid aside. A century later, it appeared at a fancy dress ball, its fabric untarnished, and untouched by time. It was worth while to pay high prices for such stuffs. In many a household to-day is cherished some bit of the brocades, sarcenets, shalloons, and tammies worn by our great-grandmothers and their mothers. In the Maryland _Gazette_, somewhere in the middle of the last century, Catherine Rathel, milliner, from London, advertises a tempting assortment of white satin, India and other chintzes, calico, gingham, cloaks, cardinal's hats, flowered gauze aprons, bonnets, caps, égrettes, fillets, breast-flowers, fashionable ribbands, buttons and loops, silk hose, superfine white India stockings, box and ivory combs.