New York (N.Y.) -- Description and travel; New York (N.Y.) -- Social conditions
The illusion of it, the hypnosis deep and moving that it is! How the
strong and the weak, the wise and the fools, the greedy of heart and of
eye, seek the nepenthe, the Lethe, of its something hugeness. I always
marvel at those who are willing, seemingly, to pay any price--_the_
price, whatever it may be--for one sip of this poison cup. What a
stinging, quivering zest they display. How beauty is willing to sell
its bloom, virtue its last rag, strength an almost usurious portion of
that which it controls, youth its very best years, its hope or dream
of fame, fame and power their dignity and presence, age its weary
hours, to secure but a minor part of all this, a taste of its vibrating
presence and the picture that it makes. Can you not hear them almost,
singing its praises?
THE CITY AWAKES
Have you ever arisen at dawn or earlier in New York and watched the
outpouring in the meaner side-streets or avenues? It is a wondrous
thing. It seems to have so little to do with the later, showier,
brisker life of the day, and yet it has so very much. It is in the
main so drab or shabby-smart at best, poor copies of what you see done
more efficiently later in the day. Typewriter girls in almost stage or
society costumes entering shabby offices; boys and men made up to look
like actors and millionaires turning into the humblest institutions,
where they are clerks or managers. These might be called the machinery
of the city, after the elevators and street cars and wagons are
excluded, the implements by which things are made to go.
Take your place on Williamsburg Bridge some morning, for instance, at
say three or four o’clock, and watch the long, the quite unbroken line
of Jews trundling pushcarts eastward to the great Wallabout Market over
the bridge. A procession out of Assyria or Egypt or Chaldea, you might
suppose, Biblical in quality; or, better yet, a huge chorus in some
operatic dawn scene laid in Paris or Petrograd or here. A vast, silent
mass it is, marching to the music of necessity. They are so grimy, so
mechanistic, so elemental in their movements and needs. And later on
you will find them seated or standing, with their little charcoal
buckets or braziers to warm their hands and feet, in those gusty, icy
streets of the East Side in winter, or coatless and almost shirtless
in hot weather, open-mouthed for want of air. And they are New York,
too--Bucharest and Lemberg and Odessa come to the Bowery, and adding
rich, dark, colorful threads to the rug or tapestry which is New York.
Since these are but a portion, think of those other masses that come
from the surrounding territory, north, south, east and west. The
ferries--have you ever observed them in the morning? Or the bridges,
railway terminals, and every elevated and subway exit?
Public-domain text, read in full here on John Shaqi.
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