The Columbia River: Its History, Its Myths, Its Scenery, Its CommerceLyman, William Denison
History
The Columbia River: Its History, Its Myths, Its Scenery, Its Commerce
Lyman, William Denison
Columbia River; Columbia River -- Description and travel; Columbia River -- History
This is one of the deepest canyons on earth. Not such another furrow has
Time wrought on the face of the Western Hemisphere, at least. At some
points the granite walls rise almost vertically six thousand feet from the
water's edge. Here, too, soundings of seventeen hundred feet have been
necessary to touch bottom. Over a mile and a half of verticality! This
surpasses in depth Yosemite, Yellowstone, Columbia, or even Colorado
Canyon. As compared with those more familiar wonders, Chelan lacks the
incomparable symmetry and completeness of Yosemite; it has not such a
multitude of waterfalls and groups of "castled crags" as are seen within
the basaltic gates of the Columbia; it does not display that variety of
colouring, especially of the lighter and warmer hues, which astonishes the
beholder of the Colorado or the Yellowstone, and it has no especially
curious feature like the geysers of the last; but for immensity, for a
certain chaotic sublimity, for the rich and sombre grandeur of the purple
and garnet, dusky, and indigo-tinted shore views, Chelan surpasses any of
the others, while in its water views,--such colourings and such blendings,
light-green, ultramarine, lapis lazuli, violet, indigo, almost
black,--such light and shade, "sea of glass mingled with fire," where
every cloud in the changing sky and all the untold majesty of the hills
find their perfect mirror, all hues and forms, a kaleidoscope of earth and
heaven, beyond imagination to conceive or pen to describe or brush to
portray,--in all this, Chelan is without a rival.
[Illustration: On the Coeur d' Alene River, Idaho. Photo. by T. W.
Tolman.]
As we round a shaggy promontory, there the snow-peaks stand in battle
array, azure, purple, amethystine, with lines and masses of glistening
white, flushed on their topmost pinnacles with rosy light from the
westering sun, solemn, solitary, very oracles of mountain revelation, so
grand, so beautiful, so true, looking as though they had been there
forever waiting for an interpreter,--before that scene we bow the head and
make involuntary obeisance, the homage of the true in man to the true in
nature, that is, the recognition of a common brotherhood in one divine
origin.
Public-domain text, read in full here on John Shaqi.
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