As to the mode of fighting, we have, poetically speaking, lost something in one respect, but we have gained much in another. Our battles indeed admit but few single combats, or trials of individual prowess. They do admit them however; and it is not impossible to describe them with as much detail and interest as the nature of the action requires; as Voltaire has proved in the single combat of Aumale and Turenne in the Henriad. Had he managed his general descriptions and the other parts of the conduct of his poem as well, he would have made it a far more interesting work than he has. However, since our single combats must be insignificant in their consequences, not deciding any thing as to the result of the battle, it would be inconvenient and misplaced to make much use of them in our descriptions. And here lies our disadvantage, compared with the ancients. But in a general engagement, the shock of modern armies is, beyond comparison, more magnificent, more sonorous and more discoloring to the face of nature, than the ancient could have been; and is consequently susceptible of more pomp and variety of description. Our heaven and earth are not only shaken and tormented with greater noise, but filled and suffocated with fire and smoke. If Homer, with his Grecian tongue and all its dialects, had had the battle of Blenheim to describe, the world would have possessed a picture and a piece of music which now it will never possess. The description would have astonished all ages, and enriched every language into which it might have been translated. With regard to naval battles the moderns have altogether the advantage. But there has been no naval battle described in modern poetry; neither is there any remaining to us from the ancients, except that in the bay of Marseilles by Lucan, and that near Syracuse by Silius. It would seem strange indeed that Homer, whose wonderful powers of fiction were not embarrassed by historical realities, and who in other respects is so insatiable of variety, did not introduce a sea fight either in the defence of Troy, or in the disastrous voyages of Ulysses. But the want of this in Homer's two poems amounts almost to a proof that in his time the nations had not yet adopted any method of fighting at sea; so that the poet could have no such image in his mind.