There arose an indescribable hubbub. All the girls began to talk and
shout at the same time; they ran about, tore away hairpins and
curling irons from one another, powdered themselves, quarreled over
trifles, blew out candles, hastily closed their dressing-cases and
rushed down the stairs in crowds, for the second bell had already
sounded.
Janina descended last of all and stood behind the scenes. The
performance began. They were playing some kind of half fairy-like
operetta. Janina could hardly recognize those people or that theater
everything had undergone such a magical transformation and taken on
a new beauty under the influence of powder, paint, and light! . . .
The music, with the quiet caressing tones of the flute, floated
through the silence and stole into Janina's soul, lulling it
sweetly . . . and later, a dance of some kind, soft, voluptuous, and
intoxicating, enveloped her with its charm, lured and rocked her on
the waves of rhythm and held her in an ecstatic lethargy.
She felt herself drawn ever farther into a confused whirl of lights,
tones and colors. Her impulsive and sensuous nature, struggling
hitherto with the drab commonplace of everyday events and people,
was fascinated. It was almost as she had visioned it in her soul;
full of lights, music, thrilling accents, ecstatic swoons, strong
colors, and stormy and overpowering emotions, breaking with the
force of thunderbolts.
The suffocating odor of powder dust floated about her like a cloud,
while from the crowded hall there flowed a stream of hot breaths and
desiring glances that broke against the stage like a magnetic wave,
drowning in forgetfulness all that was not song, music, and
pleasure.
When the act ended and a storm of applause broke loose, she was on
the verge of fainting. She bent her head and eagerly drank in those
murmurs resembling lightning flashes and, like them blinding the
soul. She breathed in those cries of the delighted public with her
full breath and with all the might of her soul that craved for fame.
She closed her eyes, so that that impression, that picture might
last longer.
The enchanting vision had dissolved. Over the stage moved men in
their shirt sleeves and without vests; they were changing the
scenes, arranging the furniture, fastening the props. She saw the
grimy necks, the dirty and ugly faces, the coarse and hardened hands
and the heavy forms.
She went out on the stage and through a slit in the curtain gazed
out on the dim hall packed full of people. She saw hundreds of young
faces, women's faces, smiling and still stirred by the music, while
their owners fanned themselves; the men in their black evening
clothes formed dark spots scattered at regular intervals, upon the
light background of feminine toilettes.
Public-domain text, read in full here on John Shaqi.
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