Janina left alone, began to explore that boudoir with curiosity,
for, although the entire house looked like a junk shop, or a
railroad waiting-room of the third class, filled with packs, valises
and trunks, this one room possessed an almost luxurious air. It had
two windows opening upon the garden, the walls were decorated with a
paper resembling brocatelle, and cupids were painted on the ceiling.
The grotesquely carved furniture was upholstered with crimson silk
striped with gold. A cream-colored rug in imitation of antique
Italian covered the floor. A set of Shakespeare, bound in gilded
morocco lay on a lacquered table painted in Chinese designs.
Janina did not pay much attention to all this, for she was entirely
absorbed by the wreaths hanging on the walls which bore such
inscriptions as these: "To our companion on the occasion of her
birthday," "To a distinguished artist," "From the grateful public,"
"To the Directress from the Company," "From the admirers of your
talent." The laurel branches and palm leaves were yellow and
shrunken from age and hung there covered with dust and cobwebs. The
broad white, yellow, and red ribbons streamed down the walls like
separate colors of the rainbow with their gold-stamped letters
proclaiming glories that had long since passed into oblivion. Those
inscriptions and withered wreaths gave the room the appearance of a
mortuary chapel.
Janina was looking through an album, when Cabinska quietly entered.
Her face wore an expression of suffering and melancholy; she dropped
down heavily into a chair, sighed deeply and whispered, "Pardon me
for letting you bore yourself here."
"Oh I didn't feel a bit bored!"
"This is my sanctuary. Here I lock myself up when life becomes
unbearable. I come here to recall a happy past and to dream of that
which will never more return . ." she added, indicating the roles
and the wreaths hanging on the walls.
"Are you ill, Madame Directress? . . . perhaps I am intruding, and
solitude is the best medicine." Janina spoke with sincere sympathy.
"Oh, please stay! . . . It affords me real relief to speak with a
person who is, as yet, a stranger to this world of falsehood and
vanity!" she said with emphasis, as though reciting a role.
"I don't know whether I am worthy of your confidence," answered
Janina modestly.
"Oh, my artistic intuition never deceives me! . . . I pray you sit
nearer to me! So you have never before been in the theater,
mademoiselle?"
"No."
"How I envy you! . . . Ah, if I could begin over again, I would not
know all this bitterness and disappointment! Do you love the
theater?"
"I have sacrificed almost everything for it."
Public-domain text, read in full here on John Shaqi.
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