The comic history of the United States, from a period prior to the discovery of America to times long subsequent to the presentSherwood, John D.
History
The comic history of the United States, from a period prior to the discovery of America to times long subsequent to the present
Sherwood, John D.
United States -- History -- Humor
Among the comic situations which Mr. Smith unconsciously creates are,
that of a conveyancer, in a large city, endeavoring to trace a title
through a J. S., or trying to ascertain which of the one hundred in the
directory is the rightful defendant in a judgment, or the mortgagor in a
mortgage, constituting a lien on the property sought to be transferred;
or a country cousin, for the first time in New York or Philadelphia,
consulting the directory to find her puzzled way to the forgotten
residence of her cousin John Smith, or innocently asking a polite but
humorous gentleman, in the street whether he knows John Smith’s house;
or a clergyman in a city prayer-meeting asking John Smith to lead in
prayer, and finding three or four, with closed eyes, responding to the
request; or a notary making up his mind where to leave a notice of
protest of a large note on the indorser John Smith, who wittily wrote
his name without any address under it. Indeed, it would be one of the
_causes célèbres_ for a jury to determine whether a child might not
guiltlessly mistake his parent who bore only this undistinguishing name;
whether a forgery of the name could be committed; whether an express
company be bound to deliver a trunk to this _nominis umbræ_; or whether
a wife, Mrs. John Smith, could be lawfully convicted of eloping with any
one.
Then when John Smith comes to die, in the churchyard, and afterwards
when the dead arise—but we stagger under the vision of puzzled bones and
stop.
We cannot write more lucidly the history of the John Smith of Pocahontas
fame. It grows mythical the more we look at it; an abstraction dancing
over the coals of the early settlement of Virginia, a face and figure
flitting like a twisting flame, up, around, and through the grate;
seeming as we try to fix our attention upon him like a dozen different
men, one falling in love with the young squaw, another surveying the
James and Rappahannock, another mastering the turbulent spirits of a
dissolute and discontented settlement; another caught and brought before
Powhatan, while a graceful girl of twelve summers gently puts away the
descending club; another sailing to England, and peeping out ever and
anon among the friendly faces that make the living frame to her young
virgin face, yet again dissolving and melting into the gray dimness of
the morning light. Of only one thing do we feel certain in regard to
John Smith in general, the average John Smith, that the portrait here
presented, taken by instantaneous photography, representing his
multitudinous character, is the only genuine and original likeness ever
published.
CHAPTER IV.
OF THE SETTLEMENT OF THE NEW ENGLAND STATES.
Public-domain text, read in full here on John Shaqi.
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