The comic history of the United States, from a period prior to the discovery of America to times long subsequent to the presentSherwood, John D.
History
The comic history of the United States, from a period prior to the discovery of America to times long subsequent to the present
Sherwood, John D.
United States -- History -- Humor
In truth, when we think of him as ubiquitous, omniscient, and
omnipresent, doing all things in all places, carrying on all businesses,
living on all the real estate, owning at some time or other all the
personal property, pocketing all the greenbacks, whistling to all the
dogs, riding all the horses, looking after all the little poodle dogs,
buying shoes and stockings for all the children agreeable and
disagreeable, we get into such a world of John Smiths, such a nightmare
of Johns, such a maelstrom of Smiths, such a gurgling, roaring,
splitting, spitting, laughing, screeching, titilated, exhilarated,
carnival, and Fourth of July of John Smiths, that we seem to be in a
room lined with mirrors that reflect only John Smiths from all sides;
indeed, we almost fancy ourselves a John Smith, our father and mother a
John Smith, and all our aunts, cousins, uncles, nephews, brothers, and
sisters, and even their clergymen, grocers, shoemakers, bootblacks, to
be John Smiths, and that our last note and the mortgage on our house is
owned by John Smith.
But the Smith family do not create all the humor and spend all the
jollity upon others. Funny are the scenes which transpire among
themselves. At a family party two John Smiths introduced, and each
staring at his other self, is a conundrum; three a charade, in which the
whole company give it up. A popular young lady, with card in her belt to
carry the memory of her numerous engagements, finds herself swimming in
doubt as to the identity of her partners, when John Smith claims her in
the next dance, then for the following cotillon, then bows over her hand
for the succeeding polka, and so confronts her at every turn of the
figure and every return of the dance, until she doubts her own
individuality, and requests to be baptized over again with a new name to
get out of the tangle. Then at a family dinner-party of Smiths, when Mr.
Smith asks Mr. John Smith the part of the turkey he prefers, and several
voices in different tones and keys indicate as many different portions
of the bird, there is a delightful series of warm explanations which
enables the meal to become healthily cool, while each of the responders
courteously leaves the piece he wants and takes one he did not desire.
Public-domain text, read in full here on John Shaqi.
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