Didactic fiction; Political fiction; Social problems -- Fiction
He was touched with sentimental self-pity at the thought of leaving all
this,--the beauty, the wonder, the joy of Europe! In another short
month instead of these golden hours of full sensation there would be
Chicago, whose harsh picture a three years' absence had not softened.
"I don't know," the girl replied, with a long sigh for remembered joy.
"One could not be as happy as this for months and years."
"I'd like to try!" he said lightly.
"No! Not you!" she retorted with sudden warmth. "What could a man do
here?"
"There are a lot of fellows in Europe who manage to answer that
question somehow. Most of the men I knew in Paris don't expect to go
back yet, and not to Chicago anyway."
Her lips compressed quickly. Evidently they were not the kind of men
she thought well of.
"Why!" she stammered, words crowding tempestuously to her tongue. "How
could you stay, and not work out your own life, not make your own place
in the world like uncle Powers? How it would trouble him to hear you
say that!"
She made him a trifle ashamed of his desire to keep out of the fight
any longer. Hers, he judged, was a militant, ambitious nature, and he
was quick to feel what she expected of him.
After they had sat there a long time without speaking, she said gently,
as if she wished to be just to him:--
"It might be different, if one were an artist; but even then I should
think a man would want to carry back what he had received here to the
place he was born in,--shouldn't you?"
"Well, perhaps," he admitted, "if the place weren't just--Chicago! It
wouldn't seem much use to carry this back there. The best thing for a
man would be to forget it," he concluded rather bitterly.
They never came back to this topic. Nevertheless those simple words
which the girl had spoken in that garden of Ravello became a tonic for
him at other moments of shrinking or regret. He felt what was in her
eyes a man's part.
They made the long voyage homewards through the Mediterranean, touching
at Gibraltar for a last, faint glimpse of romance. It was a placid
journey in a slow steamer, with a small company of dull, middle-aged
Americans, and the two young people were left much to themselves. In
the isolation of the sunny, windless sea, their acquaintance took on
imperceptibly a personal character. After the fashion of the egotistic
male, he told her, bit by bit, all that he knew about himself,--his
college days, his friends, and his work at the Beaux Arts. From the
past,--his past,--they slid to the future that lay before him on the
other shore of the Atlantic. He sketched for her in colored words the
ideals of his majestic art. Tucked up on deck those long, cloudless
nights, they reached the higher themes,--what a man could do, as
Richardson and Atwood had shown the glorious way, toward expressing the
character and spirit of a fresh race in brick and stone and steel!
Public-domain text, read in full here on John Shaqi.
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