Didactic fiction; Political fiction; Social problems -- Fiction
Then he shook hands cordially with Hart, lit a cigarette, and swung
himself to the seat beside Mrs. Phillips. After the car had started,
the riders mounted. Hart helped Venetia Phillips to her seat, and
slipped in a word about the hunt. But the girl leaned over on the
other side toward Helen, with a sudden enthusiasm.
"I do so want to see you again, Miss Spellman! But I suppose you are
very busy now."
"Oh, no," Helen protested, blushing at the girl's frank enthusiasm.
"But when you are married, can't I see a lot of you?"
Helen laughed. "Come and see me whenever you will!" she said, and the
two held hands for a moment, while the man in the red coat talked with
the architect.
When they had all gone, Jackson turned to Helen, a happy smile of
triumph on his face.
"It seemed to take!"
There had not been one word of comment on the house itself, on the
building as a home for generations of people. But Hart did not seem to
notice that. He was flushed with the exhilaration of approval.
"Yes," Helen answered, throwing all the animation she could into the
words; "I think they all liked it."
She was silent, her thoughts full of vague impressions gathered from
the little incident of the afternoon. There had been revealed to her
an unknown side of her lover, a worldly side, which accorded with his
alert air, his well-trimmed mustache, and careful attention to dress.
He had been very much at home with all these people, while she had felt
more or less out of her element. He knew how to talk to them, how to
please them, just as he knew how to build a house after their taste for
luxury and display. Although he was a poor, hardworking young
architect, he could talk hunters or motor cars or bridge whist, as the
occasion demanded. Whether it was due to his previous experience or to
an instinct for luxury, he was, in fact, very much one of them!
She cast a timid look at the great façade above them, over which the
cold shadows of the autumn evening were fast stealing, leaving the
building in its nudity still more hard and new and raw. She was glad
it was not to be her fate to live there in all its grandeur and stiff
luxury.
Public-domain text, read in full here on John Shaqi.
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