Didactic fiction; Political fiction; Social problems -- Fiction
The architect was a good provider: he enjoyed heartily the luxury that
his money brought him, and he wanted his wife to enjoy it with him. He
worked at high pressure and needed his bread and meat well seasoned
with excitement. Once, early in their married life, Mrs. Phillips had
volunteered to explain to Helen the philosophy of this masculine
temperament.
"Some men need more food than others. They'd mope and grow thin if
they dined at home on a chop and went to bed at ten every night. They
must have something to make steam. Your young man was born to be a
spender."
The second winter the Phillipses had gone to Europe, where the widow
was still adding to her collection for the new house,--Forest Manor as
she had dubbed it. Leaving Venetia in Paris with some friends, she had
descended upon Italy, the rage for buying in her soul. There she
gathered up the flotsam of the dealers,--marbles, furniture, stuffs,--a
gold service in Naples, a vast bed in Milan, battered pictures in
Florence. Mrs. Phillips was not a discriminating amateur; she troubled
her soul little over the authenticity of her spoil. To San Giorgio,
Simonetti, Richetti, and their brethren in the craft she came like a
rich harvest, and they put up many a prayer for her return another
season.
In March of that year, Jackson Hart, struggling with building strikes
in Chicago, had a cablegram from the widow. "Am buying wonderful
marbles in Florence. Can you come over?" The architect laughed as he
handed the message to his wife, saying lightly, "Some one ought to head
her off, or she'll be sending over a shipload of fakes." Helen,
mindful of the widow's utterances about Jackson, and thinking that he
needed the vacation after two years of hard work, urged him generously
to accept the invitation and get a few weeks in Italy. But there was
no time just then for vacation: he was in the grip of business, and
another child was coming to them.
From time to time Mrs. Phillips's purchases arrived at Forest Park and
were stored in the great hall of her house. Then late in the spring
the widow telephoned the architect.
"Yes, I am back," came her brisk, metallic tones from the receiver.
"Glad to be home, of course, with all the dirt and the rest of it. How
are you getting on? I hear you are doing lots of things. Maida
Rainbow told me over there in Paris that you were building the
Bushfields an immense house. I am so glad for you--I hope you are
coining money."
"Not quite that," he laughed back.
"I want you to see all the treasures I have bought. I've ruined myself
and the children! However, you'll think it's worth it, I'm sure. You
must tell me what to do with them. Come over Sunday, can't you? How
is Mrs. Hart? Bring her over, too, of course."
Public-domain text, read in full here on John Shaqi.
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