Didactic fiction; Political fiction; Social problems -- Fiction
Thus she gathered him up on her return with that dexterous turn of the
wrist which exasperated her righteous brother-in-law. On the Sunday
Jackson went to see the "treasures," but without Helen, who made an
excuse of her mother's weekly visit. He found the widow in the stable,
directing the efforts of two men servants in unpacking some cases.
"Ah, it's you! How are you?"
She extended a strong, flexible hand to Hart, and with the other
motioned toward a marble that was slowly emerging from the packing
straw.
"Old copy of a Venus, the Syracuse one. It will be great in the hall,
won't it?"
"It's ripping!" he exclaimed warmly. "But where did you get that
picture?"
"You don't like it?"
"Looks to be pure fake."
"And Simonetti swore he knew the very room where it's hung for over a
hundred years."
"Oh, he probably put it there himself!"
"Come into the house and see the other things. I have some splendid
chairs."
For an hour they examined the articles she had bought, and the
architect was sufficiently approving to satisfy Mrs. Phillips. Neither
one had a pure, reticent taste. Both were of the modern barbarian type
that admires hungrily and ravishes greedily from the treasure house of
the Old World what it can get, what is left to get, piling the spoil
helter-skelter into an up-to-date American house. Mediæval,
Renaissance, Italian, French, Flemish--it was all one! Between them
they would turn Forest Manor into one of those bizarre, corrupt,
baroque museums that our lavish plunderers love,--electric-lighted and
telephoned, with gilded marble fireplaces, massive bronze candelabra,
Persian rugs, Gothic choir stalls, French bronzes--a house of barbarian
spoil!
A servant brought in a tray of liquors and cigarettes; they sat in the
midst of pictures and stuffs, and sipped and smoked.
"Now," Mrs. Phillips announced briskly, "I want to hear all about you!"
"It's only the old story,--more jobs and more strikes,--the chase for
the nimble dollar," he answered lightly. "You have to run faster for
it all the time."
"But you are making money?" she questioned directly.
"I'm spending it."
He found it not difficult to tell her the state of his case. She
nodded comprehendingly, while he let her see that his situation, after
two years of hard work, was not altogether as prosperous as it appeared
on the surface. Payments on buildings under construction were delayed
on account of the strikes; office expenses crept upward; and personal
expenses mounted too. And there was that constant pressure in
business--the fear of a cessation in orders.
"We may have to move back to town after all. That Loring place is
pretty large to swing, and in town you can be poor in obscurity."
"Nonsense! You must not go back. People will know then that you
haven't money. You are going to get bigger things to do when the
strikes are over. And you are so young. My! not thirty-five."
Public-domain text, read in full here on John Shaqi.
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