English literature -- History and criticism; Literature, Modern -- History and criticism
concerned merely to show us the beauty of a night at sea. But it is ill
work dragging such intimations from their element. Dried in our little
saucers, without the magic and mystery of language, they lose their
power to excite and goad; they lose the drastic power which is a
constant quality of Conrad’s prose.
For it was by virtue of something drastic in him, the qualities of a
leader and captain, that Conrad kept his hold over boys and young
people. Until _Nostromo_ was written his characters, as the young were
quick to perceive, were fundamentally simple and heroic, however subtle
the mind and indirect the method of their creator. They were seafarers,
used to solitude and silence. They were in conflict with Nature, but at
peace with man. Nature was their antagonist; she it was who drew forth
honour, magnanimity, loyalty, the qualities proper to man; she who in
sheltered bays reared to womanhood beautiful girls unfathomable and
austere. Above all, it was Nature who turned out such gnarled and tested
characters as Captain Whalley and old Singleton, obscure but glorious in
their obscurity, who were to Conrad the pick of our race, the men whose
praises he was never tired of celebrating:
They had been strong as those are strong who know neither doubts nor
hopes. They had been impatient and enduring, turbulent and devoted,
unruly and faithful. Well-meaning people had tried to represent these
men as whining over every mouthful of their food, as going about their
work in fear of their lives. But in truth they had been men who knew
toil, privation, violence, debauchery—but knew not fear, and had no
desire of spite in their hearts. Men hard to manage, but easy to
inspire; voiceless men—but men enough to scorn in their hearts the
sentimental voices that bewailed the hardness of their fate. It was a
fate unique and their own; the capacity to bear it appeared to them the
privilege of the chosen! Their generation lived inarticulate and
indispensable, without knowing the sweetness of affections or the refuge
of a home—and died free from the dark menace of a narrow grave. They
were the everlasting children of the mysterious sea.
Public-domain text, read in full here on John Shaqi.
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