English literature -- History and criticism; Literature, Modern -- History and criticism
Such were the characters of the early books—_Lord Jim, Typhoon, The
Nigger of the “Narcissus”, Youth_; and these books, in spite of the
changes and fashions, are surely secure of their place among our
classics. But they reach this height by means of qualities which the
simple story of adventure, as Marryat told it, or Fenimore Cooper, has
no claim to possess. For it is clear that to admire and celebrate such
men and such deeds, romantically, wholeheartedly and with the fervour
of a lover, one must be possessed of the double vision; one must be at
once inside and out. To praise their silence one must possess a voice.
To appreciate their endurance one must be sensitive to fatigue. One must
be able to live on equal terms with the Whalleys and the Singletons and
yet hide from their suspicious eyes the very qualities which enable one
to understand them. Conrad alone was able to live that double life, for
Conrad was compound of two men; together with the sea captain dwelt that
subtle, refined, and fastidious analyst whom he called Marlow. “A most
discreet, understanding man”, he said of Marlow.
Marlow was one of those born observers who are happiest in retirement.
Marlow liked nothing better than to sit on deck, in some obscure creek
of the Thames, smoking and recollecting; smoking and speculating;
sending after his smoke beautiful rings of words until all the summer’s
night became a little clouded with tobacco smoke. Marlow, too, had a
profound respect for the men with whom he had sailed; but he saw the
humour of them. He nosed out and described in masterly fashion those
livid creatures who prey successfully upon the clumsy veterans. He had a
flair for human deformity; his humour was sardonic. Nor did Marlow live
entirely wreathed in the smoke of his own cigars. He had a habit of
opening his eyes suddenly and looking—at a rubbish heap, at a port, at
a shop counter—and then complete in its burning ring of light that
thing is flashed bright upon the mysterious background. Introspective
and analytical, Marlow was aware of this peculiarity. He said the power
came to him suddenly. He might, for instance, overhear a French officer
murmur “Mon Dieu, how the time passes!”
Nothing [he comments] could have been more commonplace than this remark;
but its utterance coincided for me with a moment of vision. It’s
extraordinary how we go through life with eyes half shut, with dull
ears, with dormant thoughts. . . . Nevertheless, there can be but few of
us who had never known one of these rare moments of awakening, when we
see, hear, understand, ever so much—everything—in a flash, before we
fall back again into our agreeable somnolence. I raised my eyes when he
spoke, and I saw him as though I had never seen him before.
Public-domain text, read in full here on John Shaqi.
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