English literature -- History and criticism; Literature, Modern -- History and criticism
Here the soul, getting restive, is lashing out at the more palpable
forms of Montaigne’s great bugbears, convention and ceremony. But watch
her as she broods over the fire in the inner room of that tower which,
though detached from the main building, has so wide a view over the
estate. Really she is the strangest creature in the world, far from
heroic, variable as a weathercock, “bashful, insolent; chaste, lustful;
prating, silent; laborious, delicate; ingenious, heavy; melancholic,
pleasant; lying, true; knowing, ignorant; liberal, covetous, and
prodigal”—in short, so complex, so indefinite, corresponding so little
to the version which does duty for her in public, that a man might spend
his life merely in trying to run her to earth. The pleasure of the
pursuit more than rewards one for any damage that it may inflict upon
one’s worldly prospects. The man who is aware of himself is henceforward
independent; and he is never bored, and life is only too short, and he
is steeped through and through with a profound yet temperate happiness.
He alone lives, while other people, slaves of ceremony, let life slip
past them in a kind of dream. Once conform, once do what other people do
because they do it, and a lethargy steals over all the finer nerves and
faculties of the soul. She becomes all outer show and inward emptiness;
dull, callous, and indifferent.
Surely then, if we ask this great master of the art of life to tell us
his secret, he will advise us to withdraw to the inner room of our tower
and there turn the pages of books, pursue fancy after fancy as they
chase each other up the chimney, and leave the government of the world
to others. Retirement and contemplation—these must be the main elements
of his prescription. But no; Montaigne is by no means explicit. It is
impossible to extract a plain answer from that subtle, half smiling,
half melancholy man, with the heavy-lidded eyes and the dreamy,
quizzical expression. The truth is that life in the country, with one’s
books and vegetables and flowers, is often extremely dull. He could
never see that his own green peas were so much better than other
people’s. Paris was the place he loved best in the whole world—“jusques
à ses verrues et à ses tâches”. As for reading, he could seldom read
any book for more than an hour at a time, and his memory was so bad that
he forgot what was in his mind as he walked from one room to another.
Book learning is nothing to be proud of, and as for the achievements of
science, what do they amount to? He had always mixed with clever men,
and his father had a positive veneration for them, but he had observed
that, though they have their fine moments, their rhapsodies, their
visions, the cleverest tremble on the verge of folly. Observe yourself:
one moment you are exalted; the next a broken glass puts your nerves on
edge. All extremes are dangerous. It is best to keep in the middle of
the road, in the common ruts, however muddy. In writing choose the
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account