The commonwealth of cells : $b Some popular essays on human physiology — John Shaqi
The commonwealth of cells : $b Some popular essays on human physiologySpurrell, H. G. F. (Herbert George Flaxman)
Science
The commonwealth of cells : $b Some popular essays on human physiology
Spurrell, H. G. F. (Herbert George Flaxman)
Human physiology
Now, the object of this arrangement is that the ear may be able to fulfil
one of its principal duties, namely, the perception of sound. Sound, as
the reader is doubtless aware, is transmitted through the air as waves of
condensation and rarefaction, due to the swinging backwards and forwards
of its particles; it resembles the passing on of a bump along a line
of trucks on the railway when the engine runs up against the end one
preparatory to coupling. The magnitude of this oscillation we perceive as
the loudness, the frequency as the pitch of a note. Now, when the waves
of sound strike against the drum of the ear, they cause it to vibrate
backwards and forwards also. Supposing there was no middle ear, and the
sound waves beat directly upon the membranous windows of the inner ear,
these could not be made to vibrate, as there is liquid behind them, and
liquids are incompressible; so, in order that the movements of the drum
may be transmitted to the liquids of the inner ear, they are carried
across the middle ear by a chain of small bones, by which their extent
is curtailed, but their force increased, and brought to bear upon one
only of the two openings. The consequence of this is that the membrane
closing it is able to vibrate and pass on the vibrations to the liquid
within, since when it is pushed in, the membrane covering the other hole
is pushed out.
[Illustration: DIAGRAM 59.—THE SEMICIRCULAR CANALS.]
Exactly how the different parts of the membranous labyrinth contribute
to our perception of sound we do not quite know. It appears as though
the difference of pressure in saccule and utricle originally conveyed to
the brain a sensation of noise without any idea of quality, while the
cochlea was developed later to analyze sounds and give information as to
pitch and tone. Whether the rest of the labyrinth has any longer a part
to play in the perception of sound, we cannot say with certainty; but it
seems pretty certain that the cochlea is the organ for receiving musical
impressions. Here, again, though, we are at a loss, for we do not know
with certainty how the cochlea acts. In shape it is a long tube, and in
the head is coiled spirally—like a snail’s shell to look at. Along its
whole length is a ridge of cells with short hairs projecting from their
inner surface into the liquid it contains; and to the cells along this
ridge a branch of the auditory nerve is distributed. But as to whether
one of the cells along this keyboard responds to each of the notes we
can distinguish, or whether they are affected as a whole, physiologists
are not yet agreed.
At least one other important duty the ear performs; it tells us in what
position we are, and how our whole head moves or is moved. On the top of
the saccule, in Diagram 57, Fig. 4, there are shown three little loops
which are called the semicircular canals. They are shown again more
clearly by themselves in Diagram 59.
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