But it is possible to secure the services of a decorative artist for a sum not necessarily tremendous, and if we get hold of a sensible fellow his advice will be, in the end, worth much more than the extra outlay. If he is a sincere artist, he will plan just as carefully for a modest six-room cottage as for a mansion, and he will be able to take the good points of our own schemes and adapt them to expert application without making us feel too insignificant. Explicit advice as to decoration, where there are thousands of us, each in different circumstances and with variant tastes, would be rather an absurdity. We may emphasize to ourselves, however, a few phases of the decorative problem in which lack of thought would lose to us some of the joys of a house perfected. If we are not to employ a decorator we must study out the problem for ourselves. To leave it for the painter and paperhanger to settle would be a fatal error. Much knowledge may be gained by the study of books and magazine articles, provided they are very recent. It will be advisable to weigh this knowledge in the scales of practical observation, however, in houses of late date. This is not so much because of changes in fashion as for the reason that improvements in process are always being made, and even the omnipresent folk who write books sometimes overlook a point. Concerning fashion, which of course has its sway in decoration, we will remember that the simplest treatment survives longest. WOOD IN DECORATION It seems that with the steady increase in cost of lumber we have grown more and more to appreciate the beauty of our woods. At any rate, wood is being used more extensively than ever in interior finishing. This is in some ways a healthy tendency, as it makes for simplicity and admits of artistic treatment at a reasonable cost. Hall, living room, and dining room, for instance, may be treated with a high or low wood wainscoting and wooden panels extending to a wooden cornice at the ceiling. The wood may be a weathered oak, and between the panels is a rough plaster in gray or tinted to suit the house scheme. Friezes and plastic cornices are somewhat on the wane, in smaller houses at least; though, of course, they will never go out of use altogether. PANELS AND PLASTER This plaster effect is less expensive than 40-cent burlap or ordinary white calcimine or paper. The picture molding may be at the bottom of the cornice. Sometimes the cornice is dropped to a level with the tops of the doors and windows (usually about seven feet), leaving a frieze of two or three feet, the molding then going to the top of the cornice. Ceilings and friezes of ivory or light yellow are usually in good taste.