The Complete Poetical Works of Oliver GoldsmithGoldsmith, Oliver
General
The Complete Poetical Works of Oliver Goldsmith
Goldsmith, Oliver
English poetry; Literature -- Collections
The arrangement thus concluded was not calculated to endure. After some
five months of labour from nine till two, and often later, it came
suddenly to an end. No clear explanation of the breach is forthcoming, but
mere incompatability of temper would probably supply a sufficient ground
for disagreement. Goldsmith, it is said, complained that the bookseller
and his wife treated him ill, and denied him ordinary comforts; added to
which the lady, a harder taskmistress even than the _ antiqua mater_
above referred to, joined with her husband in ‘editing’ his articles, a
course which, hard though it may seem, is not unprecedented. However this
may be, either in September or October, 1757, he was again upon the world,
existing precariously from hand to mouth. ‘By a very little practice as a
physician, and very little reputation as a poet [a title which, as Prior
suggests, possibly means no more than author], I make a shift to live.’ So
he wrote to his brother-in-law in December. What his literary occupations
were cannot be definitely stated; but, if not prepared before, they
probably included the translation of a remarkable work issued by Griffiths
and others in the ensuing February. This was the _Memoirs of a
Protestant, condemned to the Galleys of France for his Religion,_
being the authentic record of the sufferings of one Jean Marteilhe of
Bergerac, a book of which Michelet has said that it is ‘written as if
between earth and heaven.’ Marteilhe, who died at Cuylenberg
in 1777, was living in Holland in 1758; and it may be that Goldsmith had
seen or heard of him during his own stay in that country. The translation,
however, did not bear Goldsmith’s name, but that of James Willington, one
of his old class-fellows at Trinity College. Nevertheless, Prior says
distinctly that Griffiths (who should have known) declared it to be by
Goldsmith. Moreover, the French original had been catalogued in Griffiths’
magazine in the second month of Goldsmith’s servitude, a circumstance
which colourably supplies the reason for its subsequent rendering into
English.
Public-domain text, read in full here on John Shaqi.
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