The Complete Project Gutenberg Writings of Charles Dudley WarnerWarner, Charles Dudley
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The Complete Project Gutenberg Writings of Charles Dudley Warner
Warner, Charles Dudley
American literature -- 19th century; Literature -- Collections
One always likes to weave in a little romance with summer travel on a
steamboat; and we came aboard this one with the purpose and the
language to do so. But there was an absolute want of material, that
would hardly be credited if we went into details. The first meeting
of the passengers at the dinner-table revealed it. There is a kind
of female plainness which is pathetic, and many persons can truly say
that to them it is homelike; and there are vulgarities of manner that
are interesting; and there are peculiarities, pleasant or the
reverse, which attract one's attention: but there was absolutely
nothing of this sort on our boat. The female passengers were all
neutrals, incapable, I should say, of making any impression whatever
even under the most favorable circumstances. They were probably
women of the Provinces, and took their neutral tint from the foggy
land they inhabit, which is neither a republic nor a monarchy, but
merely a languid expectation of something undefined. My comrade was
disposed to resent the dearth of beauty, not only on this vessel but
throughout the Provinces generally,--a resentment that could be shown
to be unjust, for this was evidently not the season for beauty in
these lands, and it was probably a bad year for it. Nor should an
American of the United States be forward to set up his standard of
taste in such matters; neither in New Brunswick, Nova Scotia, nor
Cape Breton have I heard the inhabitants complain of the plainness of
the women.
On such a night two lovers might have been seen, but not on our boat,
leaning over the taffrail,--if that is the name of the fence around
the cabin-deck, looking at the moon in the western sky and the long
track of light in the steamer's wake with unutterable tenderness.
For the sea was perfectly smooth, so smooth as not to interfere with
the most perfect tenderness of feeling; and the vessel forged ahead
under the stars of the soft night with an adventurous freedom that
almost concealed the commercial nature of her mission. It seemed
--this voyaging through the sparkling water, under the scintillating
heavens, this resolute pushing into the opening splendors of night
--like a pleasure trip. "It is the witching hour of half past ten,"
said my comrade, "let us turn in." (The reader will notice the
consideration for her feelings which has omitted the usual
description of "a sunset at sea.")
Public-domain text, read in full here on John Shaqi.
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