The Complete Works of Artemus Ward — Part 1: Essays, Sketches, and LettersWard, Artemus
General
The Complete Works of Artemus Ward — Part 1: Essays, Sketches, and Letters
Ward, Artemus
American wit and humor
The wit of Charles Browne is of the most exalted kind. It is
only scholars and those thoroughly acquainted with the SUBTILTY
of our language who fully appreciate it. His wit is generally
about historical personages like Cromwell, Garrick, or
Shakspeare, or a burlesque on different styles of writing, like
his French novel, when hifalutin phrases of tragedy come from the
clodhopper who--"sells soap and thrice--refuses a ducal coronet."
Mr. Browne mingled the eccentric even in his business letters.
Once he wrote to his Publisher, Mr. G.W. Carleton, who had made
some alterations in his MSS.: "The next book I write I'm going
to get YOU to write." Again he wrote in 1863:
"Dear Carl:--You and I will get out a book next spring, which
will knock spots out of all comic books in ancient or modern
history. And the fact that you are going to take hold of it
convinces me that you have one of the most MASSIVE intellects of
this or any other epoch.
"Yours, my pretty gazelle,
"A. Ward."
When Charles F. Browne died, he did not belong to America, for,
as with Irving and Dickens, the English language claimed him.
Greece alone did not suffer when the current of Diogenes' wit
flowed on to death. Spain alone did not mourn when Cervantes,
dying, left Don Quixote, the "knight of la Mancha." When Charles
Lamb ceased to tune the great heart of humanity to joy and
gladness, his funeral was in every English and American household;
and when Charles Browne took up his silent resting-place in the
sombre shades of Kensal Green, JESTING CEASED, and one great
Anglo-American heart,
Like a muffled drum went beating
Funeral marches to his grave.
MELVILLE D. LANDON.
INTRODUCTION BY T.W. ROBERTSON.
Few tasks are more difficult or delicate than to write on the
subject of the works or character of a departed friend. The pen
falters as the familiar face looks out of the paper. The mind is
diverted from the thought of death as the memory recalls some happy
epigram. It seems so strange that the hand that traced the jokes
should be cold, that the tongue that trolled out the good things
should be silent--that the jokes and the good things should remain,
and the man who made them should be gone for ever.
Public-domain text, read in full here on John Shaqi.
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