The Complete Works of Artemus Ward — Part 6: Artemus Ward's PanoramaWard, Artemus
General
The Complete Works of Artemus Ward — Part 6: Artemus Ward's Panorama
Ward, Artemus
American wit and humor
I met a man in Oregon who hadn't any teeth--not a tooth in
his head--yet that man could play on the bass drum better
than any man I ever met.--He kept a hotel. They have queer
hotels in Oregon. I remember one where they gave me a bag
of oats for a pillow--I had nightmares of course. In the
morning the landlord said--How do you feel--old hoss--hay?--
I told him I felt my oats.
(Though the serious part of the lecture was here entered
upon, it was not delivered in a graver tone than that in
which he had spoken the farcicalities of the prologue. Most
of the prefatory matter was given with an air of earnest
thought; the arms sometimes folded, and the chin resting on
one hand. On the occasion of his first exhibiting the
panorama at New York he used a fishing-rod to point out the
picture with; subsequently he availed himself of an old
umbrella. In the Egyptian Hall he used his little
riding-whip.)
Permit me now to quietly state that altho' I am here with my
cap and bells I am also here with some serious descriptions
of the Mormons--their manners--their customs--and while the
pictures I shall present to your notice are by no means
works of art--they are painted from photographs actually
taken on the spot (They were photographed by Savage &
Ottinger, of Salt Lake City, the photographers to Brigham
Young.)--and I am sure I need not inform any person present
who was ever in the territory of Utah that they are as
faithful as they could possibly be. (Curtain.--The picture
was concealed from view during the first part of the lecture
by a crimson curtain. This was drawn together or opened
many times in the course of the lecture, and at odd points
of the lecture. I am not aware that Artemus himself could
have explained why he caused the curtain to be drawn at one
place and not at another. Probably he thought it to be one
of his good jokes that it should shut in the picture just
when there was no reason for its being used.)
I went to Great Salt Lake City by way of California? (That
is, he went by steamer from New York to Aspinwall, thence
across the Isthmus of Panama by railway, and then from
Panama to California by another steamboat. A journey which
then occupied about three weeks.)
I went to California on the steamer "Ariel."
This is the steamer "Ariel." (Picture.)
Oblige me by calmly gazing on the steamer "Ariel"--and when
you go to California be sure and go on some other steamer--
because the Ariel isn't a very good one.
When I reached the "Ariel"--at pier No. 4--New York--I found
the passengers in a state of great confusion about their
things--which were being thrown around by the ship's porters
in a manner at once damaging and idiotic.--So great was the
excitement--my fragile form was smashed this way--and jammed
that way--till finally I was shoved into a stateroom which
was occupied by two middle-aged females--who said, "Base
man--leave us--O leave us!"--I left them--Oh--I left them!
Public-domain text, read in full here on John Shaqi.
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