The Complete Works of Brann, the Iconoclast — Volume 01Brann, William Cowper
General
The Complete Works of Brann, the Iconoclast — Volume 01
Brann, William Cowper
Brann, William Cowper, 1855-1898; Essays; Reformers
forgot her duty, descends like a monstrous wheel of blood
upon the western desert and through the casement pours a
ruddy glow over the prostrate figure a marble Venus
blushing rosy red. Joseph casts his coarse garment over
his companion as one might clothe the beauteous dead,
and turns away, the picture of Despair, the avatar of guilty
Fear.
. . .
Love is a dangerous game to play, and oft begun in wanton
mischief ends in woeful madness. In the first flush of
shame and rage Mrs. Potiphar was eager to punish the
slave's presumption, even though herself o'erwhelmed in
his ruin; but hate, though fierce, is a fickle flame in the
female heart, and seldom survives a single flood of tears.
Already Joseph's handsome face is haunting her--already
she is dreaming o'er the happy hours by Nilus' bank, where
first he praised her wondrous beauty--beneath the
nodding palms when the fireflies blazed and the bulbul
poured its song. The love that has lain latent within her
bosom, or burned with friendship's unconsuming flame,
awakes like smoldering embers fanned by desert winds and
fed with camphor wood, enveloping all her world. She
longs to leave the loveless life with her sullen lord; to cast
from her as things accursed the gaudy robes and glittering
gems; to fly with the shepherd lad to the deep cool forests
of the far east and dream her life away in some black tent
or vine-embowered cot--to take his hand in hers and
wander on to the world's extreme verge, listening to the
music of his voice. The great house, once her pride, has
become a grewsome prison, the jailer a grizzly gorgon who
conjured her with the baleful gleam of gold to cast her
beauty on Mammon's brutish shrine. She hardens her
heart against him and pities herself, as wives are wont to
do who have dragged the dear honor of their husbands in
the dust--she persuades herself that love has cast radiant
glory about her guilt and sanctified her shame. Oh woman,
what a paradox thou art! When the descending sun
touched the horizon's rim Mrs. Potiphar could have plunged
a poisoned dagger through the heart of her paramour and
mocked his dying moan; the great globe of fire has not bid
the world good night, yet she is weeping because of the
bitter words with which she drove him forth.
"Love is strong as death."
She repeats the line again and again. Oh my Israel, is the
grave the limit of thy love? Wert thou dead, fair boy, Egypt
would inclose thy sacred ashes in a golden urn and wear it
ever between her breasts--would make for thee a living
sepulcher and thou shouldst sleep in the vale of Love,
between the rosy mountains of Desire. Wert thou dead--
Public-domain text, read in full here on John Shaqi.
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