The Complete Works of Brann, the Iconoclast — Volume 10Brann, William Cowper
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The Complete Works of Brann, the Iconoclast — Volume 10
Brann, William Cowper
Brann, William Cowper, 1855-1898; Essays; Reformers
imitation nude, as Ajax defying the lightning, or Antinous,
facing the audience full front without a stitch of clothing on
him. This is pleasant for the wife and daughter, but how about
you? You do not look anything like Ajax and your daughter's
brothers bear no resemblance to Antinous.
Thousands of men and women are actors and actresses, but they do
not differ in type. They are to be recognized anywhere in any
crowd. Hundreds of thousands of dollars are invested in the
business, and it is the business of the owners to make them pay.
The public wants filth and it gets it. The plays given to patrons
have only the purpose to make money. They are not written to
educate, to uplift, to ennoble. The men who make them look only
to the collection of their royalties. The best play of the year
is Gillette's "Secret Service." It is trifling. It does not teach
anything. It inculcates no moral. It does not deviate in any way
from the well known "war play." In these days there is always
some snipe of a federal lieutenant, who gets shot in the heel, or
under his coat tail, or somewhere behind, and is quartered on the
family of a southern planter, and the daughter falls in love with
him, and her brother is in the Confederate army, and there is a
whole lot of trouble and everything comes out all right in the
end. Gillette's hero is a Federal spy instead of a lieutenant,
but that is about the only difference. I imagine that he must
have been many times to see Bronson Howard's "Shenandoah," whose
favorite novelist in turn, I think, must have been E. P. Roe, of
"Barriers Burned Away." The next success, it is supposed, will be
something in the line of Mr. Howard's "Aristocracy." This play,
its author assures us, was written to demonstrate the danger that
lies in an American girl marrying an European nobleman. Instead,
it administers a solar plexus blow to American womanhood. The
heroine marries a German prince, merely because he is a Prince,
discarding her honest and true lover in a scoundrelly fashion,
while her beautiful stepmother comes within an ace of
surrendering her person to her son- in-law, and is prevented only
by the inopportune arrival of her idiotic husband. It is all very
"elevating," and a good thing to take your wife and daughter to
see.
Public-domain text, read in full here on John Shaqi.
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