We arrive at this formula: The American stage is debasing; American stage people are dead beats and women of scarlet. There are exceptions, but they prove the rule. The business is Jew-ridden. They do not act, but they handle the dollars. Everybody knows that your Jew drummer and your Jew theatrical manager are incapable of anything sexually wrong. The big syndicate which has its home in this city and is endeavoring to control the theatrical business of more than half the country is composed of Jews. One of them is an undersized Silenus named Erlanger, who used to be a pensioner upon the personal and mental abilities of the ill-fated Louise Balfe and repaid her for her bread and favors by brutally assaulting her in Arkansas. Yes, Brother Iconoclast, the 2 x 4 newspaper men and the sensational preachers and the prurient prudes who write novels and the unfructified old maids and the narrow-beamed self-elected evangelists are talking, but they do not elevate the American stage to any great extent. It bids fair to remain the same excellent school of preparation for the penitentiary and the bagnio. New York, November 20, 1897. "THE CHRISTIAN." BY JULIA TRUITT BISHOP. If one may judge by the effect it has produced in arousing a storm of criticism, the book of the year is undoubtedly "The Christian," by Hall Caine. Not only the book of the year, perhaps, but of more years than one cares to count, for of books worth reading or remembering, there has been the fewest number within these latter days. And it must be conceded, in the beginning, that Hall Caine has written a book--a live book--and that no one will dissect it without finding blood on his rapier's point. As for the critics themselves, they have had much to say, after their fashions, and have wasted vast quantities of good ink in giving the author of "The Christian" meanings which he never meant. One of them has found that John Storm was intended to represent Christ himself, come back to earth in this most unbelieving Nineteenth century; a construction which seems to have been as far as possible from anything that was in the novelist's thought. Another finds the plot weak and the motif--it is the custom to use French in this connection--strained; and can endure nothing in the book but Glory, who is "altogether delightful." Still another is furious because of the "nurses' ball," and thinks it is reflection upon the whole sisterhood of trained nurses; and there are others who cannot recover from that still further insult to the sisterhood conveyed in the fact that Polly was a nurse.