The Complete Works of James Whitcomb Riley — Volume 10Riley, James Whitcomb
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The Complete Works of James Whitcomb Riley — Volume 10
Riley, James Whitcomb
American essays; American poetry; Short stories, American
His advent in our little country town was at
once abrupt and novel. Why he came, when
he came, or how he came, we boys never knew. My
first remembrance of him is of his sudden appearance
in the midst of a game of "Ant'ny-over," in
which a dozen boys besides myself were most
enthusiastically engaged. The scene of the exciting
contest was the center of the main street of the
town, the elevation over which we tossed the ball
being the skeleton remains of a grand triumphal
arch, left as a sort of cadaverous reminder of some
recent political demonstration. Although I recall
the boy's external appearance upon that occasion
with some vagueness, I vividly remember that his
trousers were much too large and long, and that
his heavy, flapping coat was buttonless, and very
badly worn and damaged at the sleeves and elbows.
I remember, too, with even more distinctness, the
hat he wore; it was a high, silk, bell-crowned hat--
a man's hat and a veritable "plug"--not a new and
shiny "plug," by any means, but still of dignity and
gloss enough to furnish a noticeable contrast to the
other appurtenances of its wearer's wardrobe. In
fact, it was through this latter article of dress that the
general attention of the crowd came at last to
be drawn particularly to its unfortunate possessor,
who, evidently directed by an old-time instinct, had
mechanically thrust the inverted "castor" under a
falling ball, and the ball, being made of yarn
wrapped tightly over a green walnut, and dropping
from an uncommon height, had gone through the
hat like a round shot.
Naturally enough much merriment was occasioned
by the singular mishap, and the victim of
the odd occurrence seemed himself inclined to join
in the boisterous laughter and make the most of
his ridiculous misfortune. He pulled the hat back
over his tousled head, and with the flapping crown
of it still clinging by one frayed hinge, he capered
through a grotesquely executed jig that made the
clamorous crowd about him howl again.
"Wo! what a hat!" cried Billy Kinzey, derisively,
and with a palpably rancorous twinge of envy in
his heart; for Billy was the bad boy of our town,
and would doubtless have enjoyed the strange boy's
sudden notoriety in thus being able to convert
disaster into positive fun. "Wo! what a hat!"
reiterated Billy, making a feint to knock it from the
boy's head as the still capering figure pirouetted
past him.
The boy's eye caught the motion, and he whirled
suddenly in a backward course and danced past his
reviler again, this time much nearer than before.
"Better try it," he said, in a low, half-laughing
tone that no one heard but Billy and myself. He
was out of range in an instant, still laughing as he
went.
"Durn him!" said Billy, with stifling anger,
clutching his fist and leaving one knuckle protruding
in a very wicked-looking manner.--"Durn him! He
better not sass me! He's afeard to come past here
ag'in and say that! I'll knock his durn ole stove-
pipe in the middle o' nex' week!"
Public-domain text, read in full here on John Shaqi.
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