The Complete Works of James Whitcomb Riley — Volume 10Riley, James Whitcomb
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The Complete Works of James Whitcomb Riley — Volume 10
Riley, James Whitcomb
American essays; American poetry; Short stories, American
"Oh, yes," she artlessly answered in reply to the
concluding query; "I'll want to go back there lots
o' times; but not to see them! I'll--only--go--back
--there--to--see"--and here she was holding up
the little flared-out fingers of her left hand, and
with the index finger of the right touching their
pink tips in ordered notation with the accent of
every gleeful word--"I'll--only--go--back--there
--to--see--David--Mason--Jeffries--'cause--he's
--the--boy--fer--me!" And then she clapped her
hands again and laughed in that half-hysterical, half-
musical way of hers till we all joined in and made
the echoes of the old hall ring again. "And then,"
she went on, suddenly throwing out an imperative
gesture of silence--"and then, after I've been in this--
here house a long, long time, and you all gits so's
you like me awful--awful--awful well, then some
day you'll go in that room there--and that room
there--and in the kitchen--and out on the porch--
and down the cellar--and out in the smoke-house--
and the wood-house--and the loft--and all around
--oh, ever' place--and in here--and up the stairs--
and all them rooms up there--and you'll look behind
all the doors--and in all the cubboards--and under
all the beds--and then you'll look sorry-like, and
holler out, kind o' skeert, and you'll say: 'Where--
is--Mary--Alice--Smith?' And then you'll wait
and listen and hold yer breath; and then somepin' 'll
holler back, away fur off, and say: 'Oh--she--has
gone--home!' And then ever'thing'll be all still
ag'in, and you'll be afraid to holler any more--and
you dursn't play--and you can't laugh, and yer
throat'll thist hurt and hurt, like you been a-eatin'
too much calamus-root er somepin'!" And as the
little gipsy concluded her weird prophecy, with a
final flourish of her big pale eyes, we glanced
furtively at one another's awestruck faces, with a
superstitious dread of a vague indefinite disaster
most certainly awaiting us around some shadowy
corner of the future. Through all this speech she
had been slowly and silently groping up the winding
steps, her voice growing fainter and fainter,
and the littly pixy form fading, and wholly vanishing
at last around the spiral banister of the upper
landing. Then down to us from that alien recess
came the voice alone, touched with a tone as of
wild entreaty and despair: "Where--is--Mary--
Alice--Smith?" And then a long breathless pause,
in which our wide-eyed group below huddled still
closer, pale and mute. Then--far off and faint
and quavering with a tenderness of pathos that
dews the eyes of memory even now--came, like a
belated echo, the voice all desolate: "Oh--she--has
--gone--home!"
Public-domain text, read in full here on John Shaqi.
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