The Complete Works of James Whitcomb Riley — Volume 10Riley, James Whitcomb
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The Complete Works of James Whitcomb Riley — Volume 10
Riley, James Whitcomb
American essays; American poetry; Short stories, American
"Play! play! play! Always play and no work, no
study, no lessons. And here you are, the only child
of the most indulgent parents in the world--parents
that, proud as they are of you, would be ten times
prouder only to see you at your book, storing
your mind with useful knowledge, instead of, day
in, day out, frittering away your time over your
toys and your tops and marbles. And even when
your old grandfather tries to advise you and wants
to help you, and is always ready and eager to assist
you, and all--why, what's it all amount to? Coax
and beg and tease and plead with you, and yet--and
yet"-- (Mechanically kneeling as he speaks)--
"Now that's not the way to wind your top! How
many more times will I have to show you!" And
an instant later the old man's admonitions are
entirely forgotten, and his artless nature--dull now to
everything but the childish glee in which he shares--
is all the sweeter and more lovable for its simplicity.
And so it is, Old Man, that you are always
touching the very tenderest places in our hearts--
unconsciously appealing to our warmest sympathies,
and taking to yourself our purest love. We look
upon your drooping figure, and we mark your tottering
step and trembling hand, yet a reliant something
in your face forbids compassion, and a something
in your eye will not permit us to look sorrowfully
on you. And, however we may smile at your
quaint ways and old-school oddities of manner and
of speech, our merriment is ever tempered with the
gentlest reverence.
THE GILDED ROLL
Nosing around in an old box--packed away,
and lost to memory for years--an hour ago
I found a musty package of gilt paper, or rather,
a roll it was, with the green-tarnished gold of the
old sheet for the outer wrapper. I picked it up
mechanically to toss it into some obscure corner,
when, carelessly lifting it by one end, a child's tin
whistle dropped therefrom and fell tinkling on the
attic floor. It lies before me on my writing table
now--and so, too, does the roll entire, though now
a roll no longer,--for my eager fingers have unrolled
the gilded covering, and all its precious contents
are spread out beneath my hungry eyes.
Here is a scroll of ink-written music. I don't
read music, but I know the dash and swing of the
pen that rained it on the page. Here is a letter,
with the selfsame impulse and abandon in every
syllable; and its melody--however sweet the other
--is far more sweet to me. And here are other
letters like it--three--five--and seven, at least. Bob
wrote them from the front, and Billy kept them
for me when I went to join him. Dear boy! Dear
boy!
Public-domain text, read in full here on John Shaqi.
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