The Complete Works of James Whitcomb Riley — Volume 10Riley, James Whitcomb
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The Complete Works of James Whitcomb Riley — Volume 10
Riley, James Whitcomb
American essays; American poetry; Short stories, American
In another letter, evidently suspecting his poem
had not appeared in print because of its dejected
tone, he said: "The poetry I herewith send was
wrote off on the finest Autumn day I ever laid eyes
on! I never felt better in my life. The morning air
was as invigoratin' as bitters with tanzy in it, and the
folks at breakfast said they never saw such a' appetite
on mortal man before. Then I lit out for the
barn, and after feedin', I come back and tuck my
pen and ink out on the porch, and jest cut loose. I
writ and writ till my fingers was that cramped I
couldn't hardly let go of the penholder. And the
poem I send you is the upshot of it all. Ef you don't
find it cheerful enough fer your columns, I'll have
to knock under, that's all!" And that poem, as I recall
it, certainly was cheerful enough for publication,
only the "copy" was almost undecipherable, and the
ink, too, so pale and vague, it was thought best to
reserve the verses, for the time, at least, and later on
revise, copy, punctuate, and then print it sometime,
as much for the joke of it as anything. But it
was still delayed, neglected, and in a week's time
almost entirely forgotten. And so it was upon this
chill and somber afternoon I speak of that an event
occurred which most pleasantly reminded me of
both the poem with the "sad spots" in it, and the
"cheerful" one, "writ out on the porch" that glorious
autumn day, that poured its glory through the
old man's letter to us.
Outside and in the sanctum the gloom was too
oppressive to permit an elevated tendency of either
thought or spirit. I could do nothing but sit listless
and inert. Paper and pencil were before me, but
I could not write--I could not even think coherently,
and was on the point of rising and rushing out into
the streets for a wild walk, when there came a
hesitating knock at the door.
"Come in!" I snarled, grabbing up my pencil and
assuming a frightfully industrious air: "Come in!"
I almost savagely repeated, "Come in! And shut the
door behind you!" and I dropped my lids, bent my
gaze fixedly upon the blank pages before me and
began scrawling some disconnected nothings with
no head or tail or anything.
"Sir; howdy," said a low and pleasant voice. And
at once, in spite of my perverse resolve, I looked up.
I someway felt rebuked.
Public-domain text, read in full here on John Shaqi.
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