The Complete Works of James Whitcomb Riley — Volume 10Riley, James Whitcomb
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The Complete Works of James Whitcomb Riley — Volume 10
Riley, James Whitcomb
American essays; American poetry; Short stories, American
The speaker was very slowly, noiselessly closing
the door. I could hardly face him when he turned
around. An old man, of sixty-five, at least, but with
a face and an eye of the most cheery and wholesome
expression I had ever seen in either youth or age.
Over his broad bronzed forehead and white hair
he wore a low-crowned, wide-brimmed black felt
hat, somewhat rusted now, and with the band
grease-crusted, and the binding frayed at intervals,
and sagging from the threads that held it on. An
old-styled frock coat of black, dull brown in streaks,
and quite shiny about the collar and lapels. A waistcoat
of no describable material or pattern, and a
clean white shirt and collar of one piece, with a black
string-tie and double bow, which would have been
entirely concealed beneath the long white beard
but for its having worked around to one side
of the neck. The front outline of the face was
cleanly shaven, and the beard, growing simply from
the under chin and throat, lent the old pioneer the
rather singular appearance of having hair all over
him with this luxurious growth pulled out above
his collar for mere sample.
I arose and asked the old man to sit down, handing
him a chair decorously.
"No--no," he said--"I'm much obleeged. I hain't
come in to bother you no more'n I can he'p. All
I wanted was to know ef you got my poetry all right.
You know I take yer paper," he went on, in an
explanatory way, "and seein' you printed poetry in it
once-in-a-while, I sent you some of mine--neighbors
kindo' advised me to," he added apologetically, "and
so I sent you some--two or three times I sent you
some, but I hain't never seed hide-ner-hair of it in
your paper, and as I wus in town to-day, anyhow,
I jest thought I'd kindo' drap in and git it back, ef
you ain't goin' to print it--'cause I allus save up
most the things I write, aimin' sometime to git 'em
all struck off in pamphlet-form, to kindo' distribit
round 'mongst the neighbors, don't you know."
Already I had begun to suspect my visitor's identity,
and was mechanically opening the drawer of
our poetical department.
"How was your poetry signed?" I asked.
"Signed by my own name," he answered proudly,
--"signed by my own name,--Johnson--Benjamin
F. Johnson, of Boone County--this state."
"And is this one of them, Mr. Johnson?" I asked,
unfolding a clumsily-folded manuscript, and closely
scrutinizing the verse.
"How does she read?" said the old man eagerly,
and searching in the meantime for his spectacles.
"How does she read?--Then I can tell you!"
"It reads," said I, studiously conning the old
man's bold but bad chirography, and tilting my chair
back indolently,--"it reads like this--the first verse
does,"--and I very gravely read:--
"Oh! the old swimmin'-hole!"--
Public-domain text, read in full here on John Shaqi.
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