The complete works of John Gower, volume 2 : $b The English worksGower, John
General
The complete works of John Gower, volume 2 : $b The English works
Gower, John
Poetry
The result is that the most experienced reader often hesitates in his
metre and is obliged to read lines over twice or even thrice, before
he can satisfy himself how the poet meant his words to be accented and
what exactly was the rhythm he intended. In fact, instead of smoothing
the way for his reader, he often deliberately chooses to spare himself
labour by taking every advantage, fair or unfair, of those licences of
accent and syllable suppression for which the unstable condition of
the literary language afforded scope. The reader of Gower’s verse is
never interrupted in this manner except by the fault of a copyist or an
editor; and when we come to examine the means by which the smoothness
is attained, we feel that we have to do with a literary craftsman who
by laborious training has acquired an almost perfect mastery over his
tools. The qualities of which we are speaking are especially visible
in the more formal style of utterance which belongs to the speeches,
letters and epitaphs in our author’s tales. The reply of Constance to
her questioner (ii. 1148 ff.) is a good example of the first:
‘Quod sche, “I am
A womman wofully bestad.
I hadde a lord, and thus he bad,
That I forth with my litel Sone
Upon the wawes scholden wone,
Bot what the cause was, I not:
Bot he which alle thinges wot
Yit hath, I thonke him, of his miht
Mi child and me so kept upriht,
That we be save bothe tuo.”’
And as longer instances we may point to the reflexions of the Emperor
Constantine near the end of the same book (ii. 3243 ff.), and the
prayer of Cephalus (iv. 3197-3252). The letters of Canace and of
Penelope are excellent, each in its own way, and the epitaphs of Iphis
(iv. 3674 ff.) and of Thaise (viii. 1533 ff.) are both good examples of
the simple yet finished style, e.g.
‘Hier lith, which slowh himself, Iphis,
For love of Araxarathen:
And in ensample of tho wommen,
That soffren men to deie so,
Hire forme a man mai sen also,
Hou it is torned fleissh and bon
Into the figure of a Ston:
He was to neysshe and sche to hard.
Be war forthi hierafterward;
Ye men and wommen bothe tuo,
Ensampleth you of that was tho.’ (iv. 3674 ff.)
Public-domain text, read in full here on John Shaqi.
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