MANUSCRIPTS. The following account of the MSS. is given on my own authority in every detail. I have been able to see them all, and I wish here to express my thanks to the possessors of them, and to the librarians who have them in their charge, for the readiness with which they have given me the use of them. I am indebted especially to the Councils of Trinity College and St. John’s College, Cambridge, and to Corpus Christi, Wadham, Magdalen, and New College, Oxford, for allowing their MSS. to be sent to the Bodleian Library for my use, and to remain there for considerable periods. Except in the case of one or two, to which my access was limited, I have examined every one carefully, so that I am able to say (for example) to what extent, if at all, they are imperfect. They are arranged as far as possible in accordance with the classes and groups to which they belong, as follows: 1st Recension (_a_) AJMP₁ChN₂E₂ (_b_) H₁YXGOAd₂CathQ (_c_) ECRLB₂SnDArHdAsh 2nd Recension (_a_) SΔ (_b_) AdTBΛP₂ 3rd Recension FH₂NKH₃MagdWP₃ Hn FIRST RECENSION. (_a_) _Revised._ A. BODLEY 902, Bodleian Library (formerly Arch. D. 33, not in Bernard’s Catalogue, 1697). Contains _Confessio Amantis_ followed by ‘Explicit iste liber’ (four lines), ‘Quam cinxere freta,’ and ‘Quia vnusquisque.’ Parchment, ff. 184, measuring 13⅜ × 9⅛ in., in quires of 8 with catchwords. Well written in double column of 46 lines in three different hands of early fifteenth cent., of which the first extends to the end of the second quire (ff. 2-16), the second from thence to the end of the tenth quire (ff. 17-80), and the third from f. 81 to the end. The columns nearly correspond with those of the Fairfax MS. up to f. 81, after which point some attempt is made to save space by writing the Latin verses in the margin. Latin summaries in the margin, except very occasionally, as on ff. 10 and 11 v^o. Floreated half border in fairly good style at the beginning of each book except the fifth, and one miniature on f. 8, of the Confession, remarkable for the fact that the figure of the Lover is evidently intended as a portrait of the author, being that of an old man and with some resemblance in features to the effigy on Gower’s tomb. The Confessor has a red stole, which with his right hand he is laying on the penitent’s head, much as in the miniatures which we have in C and L. The note for the miniaturist still stands in the margin, ‘Hic fiat confessor sedens _et_ confes_sus_ cora_m_ se genuflectendo.’ The first leaf of the book is lost, and has been supplied in the sixteenth cent. from Berthelette’s second edition. It should be noted that this is not the form of commencement which belongs properly to the MS., being that of the third recension, taken by Berthelette from Caxton. The first line of f. 2 is Prol. 144.