The Complete Works of Nathaniel Hawthorne, Appendix to Volume XII: Tales, Sketches, and other Papers by Nathaniel Hawthorne with a Biographical Sketch by George Parsons Lathrop: Biographical Sketch of Nathaniel HawthorneLathrop, George Parsons
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The Complete Works of Nathaniel Hawthorne, Appendix to Volume XII: Tales, Sketches, and other Papers by Nathaniel Hawthorne with a Biographical Sketch by George Parsons Lathrop: Biographical Sketch of Nathaniel Hawthorne
Lathrop, George Parsons
Hawthorne, Nathaniel, 1804-1864; Novelists, American -- 19th century -- Biography
The mental clearness, the sharpness of vision, and the competence of the
language in this early note-book are remarkable, considering the youth
and inexperience of the writer; and there is one sketch of "a
solemn-faced old horse" at the grist-mill, which exhibits a delightful
boyish humor with a dash of pathos in it, and at the same time is the
first instance on record of a mild approach by Hawthorne to the writing
of fiction:--
"He had brought for his owner some bags of corn to be ground, who, after
carrying them into the mill, walked up to Uncle Richard's store, leaving
his half-starved animal in the cold wind with nothing to eat, while the
corn was being turned into meal. I felt sorry, and, nobody being near,
thought it best to have a talk with the old nag, and said, 'Good
morning, Mr. Horse, how are you to-day?' 'Good morning, youngster,' said
he, just as plain as a horse can speak; and then said, 'I am almost
dead, and I wish I was quite. I am hungry, have had no breakfast, and
must stand here tied by the head while they are grinding the corn, and
until master drinks two or three glasses of rum at the store, then drag
the meal and him up the Ben Ham Hill home, and am now so weak that I can
hardly stand. Oh dear, I am in a bad way;' and the old creature cried. I
almost cried myself. Just then the miller went down-stairs to the
meal-trough; I heard his feet on the steps, and not thinking much what I
was doing, ran into the mill, and, taking the four-quart toll-dish
nearly full of corn out of the hopper, carried it out, and poured it
into the trough before the horse, and placed the dish back before the
miller came up from below. When I got out, the horse was laughing, but
he had to eat slowly, because the bits were in his mouth. I told him
that I was sorry, but did not know how to take them out, and should not
dare to if I did.... At last the horse winked and stuck out his lip ever
so far, and then said, 'The last kernel is gone;' then he laughed a
little, then shook one ear, then the other; then he shut his eyes. I
jumped up and said: 'How do you feel, old fellow; any better?' He opened
his eyes, and looking at me kindly answered, 'Very much,' and then blew
his nose exceedingly loud, but he did not wipe it. Perhaps he had no
wiper. I then asked him if his master whipped him much. He answered,
'Not much lately. He used to till my hide got hardened, but now he has a
white-oak goad-stick with an iron brad in its end, with which he jabs my
hind-quarters and hurts me awfully.'... The goad with the iron brad was
in the wagon, and snatching it out I struck the end against a stone, and
the stabber flew into the mill-pond. 'There,' says I, 'old colt,' as I
threw the goad back into the wagon, 'he won't harpoon you again with
_that_ iron.' The poor old brute understood well enough what I said,
for I looked him in the eye and spoke horse language."
Public-domain text, read in full here on John Shaqi.
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